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21 Aug, 2021

The Gift by Jane V. Adams

Prose feature

Read by Melly Sutton

I’ve lived to a good age. That’s according to Sally, my home-help (lovely lass, pink hair, large tawny owl tattoo on her neck). Considering I’m a grumpy old whatshisname, she’s got the… what do they call it nowadays? knack? when it comes to chivvying me along. I’ve lived too long.

Another regret? I wish I could hear. Sally writes stuff down or mouths words, we manage, but I miss not hearing. The birds mostly. I miss hearing the birds.

This morning Sally’s acting like a demented fairy, skipping round me in her hobnail boots. She’s attached something to my wrist and is mouthing ‘feel’ and ‘birds,’ whilst madly flapping her arms. Daft apeth!

These days we only walk in the garden, since the falling incident when that whippersnapper of a van driver helped me home. It was an uneven curb, not even my fault. I told everyone that at the time.

Sally has guided me outside, and this watch-thing has started vibrating as we walk towards the shed. The vibrations keep changing. One, two, three, four. A pause, then four more slightly longer. We walk along the herbaceous border. Here, there’s one continuous vibration that pulses right through my bones.

“A wren?” I whisper. She nods, grinning. “Before that?” I wrack my brain, “a song thrush?” Another nod.

I’m stunned, I can’t take my eyes off this gadget that’s helping me hear the birds for the first time in years. I glance over at Sally.

“Happy Birthday,” she mouths.

APA style reference

Adams, J. (2021). The Gift by Jane V. Adams. walk · listen · create. https://walklistencreate.org/2021/08/21/the-gift-by-jane-v-adams/

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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