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1 Sep, 2021

Tapping by Andrew Simms

Poetry feature
Walk, meet the world on its wandering 
terms, answer an ever-yearning
to find your place. In the dark

bat-like, craving echoes to know 
each obstacle's position, I take 
a step, but cannot hear it yet

over the low drum roll of traffic, endless 
polluting prelude to magic that fails 
there’s no great car democracy

do you remember them gone, the street 
ceasefire when, to beat a virus, people put 
their vehicle weapons down

then I heard children talking
saw them chalking pavement rainbows 
heard overhead the joy orchestra of birds

and my footsteps sounded again
like a friend window tapping for attention 
each stride the world calling, waving back

APA style reference

Simms, A. (2021). Tapping by Andrew Simms. walk · listen · create. https://walklistencreate.org/2021/09/01/tapping-by-andrew-simms/

One thought on “Tapping by Andrew Simms

  1. Loved the joy orchestra, cars as weapons, and the last few lines tapping on the window. A poem full of noises, sound sensations.

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hybrid flaneur/flaneuse

Hybrid flaneur/flaneuse has become a performative “orchestrator” of steps and technologies – of sensory and emotional encounters. It is this oscillation between the poetic, the socio-technological, the geographical and the emotional that shifts the meaning of flanerie and walking in the 21st century. Hybrid flaneur/flaneuse can be also described in line with the cultural and aesthetic trajectories of the 20th century ambulatory practices. Therefore, a hybrid flaneur/flaneuse could be a creative merging of the romanticised view of early flaneur, the radical tactics and political implications of psychogeography and the performative/site-oriented elements of Fluxus and Land Art – all considered through a wide range of embodied media, social and geographical sensitivities.

Added by Bill Psarras

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