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1 Sep, 2021

The sound of footfall by Angela Findlay

Prose feature
Julian Ashton reads The sound of footfall

Left right, left right – I am on a long walk. 600km so far across the north of Spain, destination Santiago de Compostela. I listen to my legs hitting the ground. I think of my German grandfather left-righting his way across 1941 Russia, destination Moscow.

Vast distance. Endless progression. I pass walking-wounded, bandaged and limping, and buckling under heavy packs. It’s the closest I have come to travelling a mile in his soldier boots; to understanding.

He was met with the raging roar of tanks, gunfire and death. I am greeted with smiles and cheerful ‘Buen Caminos’ that resound in the hot air, snapping me into the present like fingers. They disguise the sighs of gritty determination to push through pain, emptiness, a longing for love.

Left right, left right – the action becomes mechanical, rhythmical, beautiful even. Solid earth below, infinite sky above. We walk between, tiny but upright connectors; our two-legged movement just one of several that make us uniquely human.

My grandfather’s goal was to conquer terrain, annihilating all that was in the way. Mine is to learn the yearnings of spirit; to hear in each step the whispers of ancient wisdom that guide us to live more gently with the earth. He marched through snow and mud. I walk through sunlight and space. He had to kill and win. I need only to surrender.

Left right, left right – we all do it. All the time. But do we know where we are going?

APA style reference

Findlay, A. (2021). The sound of footfall by Angela Findlay. walk · listen · create. https://walklistencreate.org/2021/09/01/the-sound-of-footfall-by-angela-findlay/

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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