Search
My feed
1 Sep, 2023

In the Time it Takes

promo_walking_away_1b no text copy

Longlisted for the Write about Walking A/way competition 2023


In the time it takes for the fair to roll into town, and the stars to drop to the ground to leaflet the crowds, and for you to steal the money to go with Cally-T, and for her to leave again with the fair, patterns of disembodied lion-heads like sunflowers on canvas, and a man's hand reaching from the trailer back, his arm stretching to grab hers, and her feet lifting into the air, hitching her wagon to anyone's leaving this town, promising she’ll write, though you know she can't read—in that time you realise.

In the time it takes for the sunflower you plant, in your Leaving Cert biology class, a school-garden time-capsule, to sprout and grow three inches, to follow the sun, the seed case hanging onto the leaf, frozen in the uncurl—in that time, you realise.

In the time it takes your father to come in from the fields, to find his rainy-day fund in the hollowed-out otter gone, and the fair's been and gone, from the flattening of grass and muddy tracks, and you’re gone, last night’s plate of food, Irish stew, cold, still there, like the sunflower tiles your mother said she planted in the kitchen because she had no time to watch them grow—in that time, while you’re on a barn roof, to be closer to the stars, you realise in the time it takes, that time takes and for you it will take time, because you won’t walk away too.

APA style reference

Lynch, R. (2023). In the Time it Takes. walk · listen · create. https://walklistencreate.org/2023/09/01/in-the-time-it-takes/

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Encountered a problem? Report it to let us know.

  • Include the page on which you encountered the problem.
  • Describe what happened.
  • Describe what you expected to happen.