‘Standing, for the second time in my life, on the platform of Edale train station in the heart of the Peak District, I hoped that walking all the way to Scotland might make me a Walking Artist. This was me, leaning into my fear that one day I might run out of ideas. If only I had been able to identify my working methods, maybe it would not have come to this.’
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Trevor H. Smith
From Here On In It’s Going To Be Cool, Comfortable, Air Conditioned Pain
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From Here On In It’s Going To Be Cool, Comfortable, Air Conditioned Pain
6 Jun, 2016
Travelling and stumbling
2020-09-15 18:00
Online
If one travels on foot there are times that one will stumble. Not just physically but also accidental upon things, events or ideas that otherwise would not have occurred without walking.
A Walk Through Time: From Stardust to Us
Rooms
Ascoli Piceno, Province of Ascoli Piceno, Italy
Rooms soundwalk with sound objects installation (2024) Artist: Daria Baiocchi Sound objects construction and manufacturing: Daria Baiocchi Sound objects with audio files (n.6): max one minute in loop Audio files: Daria Baiocchi Year: 2024 City: Ascoli Piceno-Italy Technical riders: 6 stands Performers in audio files: -M°Tiago Coimbra: principal oboe in Gottingen Symphony Orchestra; -M°Henry Domenico Durante: pricipal violin in G.Rossini Symbphonic Orchestra; -M°Francesco Maria Ferrario: composer and director; Audio file recordings: 1. natural birds sounds; 2. street performers in Chicago 3. Milan tube 4. Milan train station 5. London train Soundwalk duration: 1 hour Soundwalk leitmotiv: water through fountains Soundwalk objects installation concept: find your audio moment in your present life. The main area of each sound object is refferred to nature moment, methaphisic moment, ascetic moment, abstract moment, medidative moment, journey moment. End of the tour: pick your sound card moment Development possibilities: people are invited in the future to follow another soundwalk tour with a different general sound leitmotive. They will listen to the same sound objects installation and they will understand if their “personal sound moment” has changed. The audience will pick (maybe) another sound card and will remember their “old” sound moment. The main purpose of it is to fix the present and to learn its development.