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But Is It Art?: The Spirit of Art as Activism

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homelessness

Collection · 12 items
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social practice

Sub-collection · 11 items

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Sue Thomas

I write about life, nature and technology. I recently completed The Empathy Hack, my third novel after twenty years of journalism, academic writing, and several nonfiction books. It describes how wildlife webcams feed our longing to get close to nature, and follows what happens when Robin, coming to the end of her professional life and feeling somewhat lost, becomes the victim of a webcam hack which goes viral and triggers a surge of global activism. The story draws on the power of the umwelt – a unique sensory bubble we all inhabit as described in Ed Yong’s bestseller An Immense World, and the compelling pull to empathy between different species. Could empathy save us?

walkingevent

Home Makers: go for a walk with sounds made by migrant domestic workers

Home Maker Sounds is a collection of soundwalks recorded and co-edited with migrant domestic workers in the UK and Lebanon. The soundwalks aim to amplify the voices of often silenced or mis-represented women, who labour and live ‘behind closed doors’. On this walk in Holland Park, you’ll hear from soundwalk maker Ann, who remembers the

jbradley Ella Parry-Davies
book

Walking Art Practice: Reflections on Socially Engaged Paths

Walking Art Practice, Reflections on Socially Engaged Paths was published by Triarchy Press, London in 2018. Serving as an intimate walker’s manifesto, this little book consists of a generous collection of short, personal, field reflections by artist Ernesto Pujol on walking as a socially engaged art form, bringing together his experiences as a former monk,

Ernesto Pujol
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thiswasnow.com

MultiMedia Artist who works with a social practice. Background as radio and video documentary producer. Currently on Canada Council grant creating site-specific, narrative- based sound walks in a forest on the parallel crisis mental illness and clima...

Nonfiction. Art. Activisim. Criticism and Theory. An anthology that explores the rise of activist public art that agitates for social change. Included are discussions of such leading and controversial artists as: the Guerrilla Girls, Gran Fury, Group Material, Women’s Action Coalition, and the Artist and Homeless Collaborative.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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