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The Art of Walking: A Field Guide

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The Lost Art of Walking

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Walking

Originally given as part of a lecture in 1851, “Walking” was later published posthumously as an essay in the Atlantic Monthly in 1862.Now being a chief text in the environmental movement, Thoreau’s “Walking” places man not separate from Nature and Wildness but within it and lyrically describes the ever beckoning call that draws us to

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A History of Walking

The poet uses walking as a metaphor for many life experiences: here are love poems, political poems and even a little light verse.

Lydia Kennaway

The Art of Walking: a field guide is the first extensive survey of walking in contemporary art. An introduction relates peripatetic art now to a wide range of historic precedents, and is followed by a series of visually led Walks dealing with seven overlapping themes: footprints and lines; writers and philosophers; marches and processions; aliens, dandies and drifters; slapstick; studios, museums and biennales; and dog walkers.

The guide includes newly commissioned art and writing, and many artists have been actively involved in the design of their respective pages. Contributors include Marina Abramovic and Ulay, Lawrence Abu Hamdan, Francis Alÿs, And While London Burns, Keith Arnatt, Franko B, David Bate, Dara Birnbaum, Rut Blees Luxemburg, Janet Cardiff, Marcus Coates, Jeremy Deller, Tim Edgar, Christian Edwardes, Jan Estep, Simon Faithfull, Alec Finlay, Hamish Fulton, Regina José Galindo, Al Gebra, Mona Hatoum, Akira Kanayama, Oleg Kulik, Peter Liversidge, Long March Project, Richard Long, Melanie Manchot, Conor McGarrigle, Bruce Nauman, Hans-Ulrich Obrist, Ingrid Pollard, Simon Pope, Chloé Regan, Sophy Rickett, Fiona Robinson, Matthias Sperling and Siobhan Davies Studios, Susan Stockwell, Krzysztof Wodiczko and Catherine Yass.


driftsinging

Drawing with (vocal) sound in response to place while passing through place. Driftsinging borrows from the Situationist Drift, and Baudelaire’s flâneur. Driftsinging also relates to the process of ‘sounding,’ the sonic measuring of distance and depth that locates position in place and ‘echo location’, the examination of place through sonic reflection and refraction, resonance and echo.

Added by R and F Mo
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