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The Way of the Gardener: Lost in the Weeds Along the Camino de Santiago

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Camino de Santiago

Sub-collection · 11 items
Sub-collection

pilgrimage

Sub-collection · 84 items

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Granite Blessings of the Woman’s Stone: Clach Bhan

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The Reluctant Pilgrim (Radio Walks Podcast)… a funny thing happened on the way to the priory

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Guidebook for an Armchair Pilgrimage

Pilgrimages—real and imagined—are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, and Puri are a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for

Phil Smith

The Camino de Santiago has been a journey for pilgrims for more than 1,000 years, testing―to varying degrees―their spirit, faith, and physical endurance. Lyndon Penner’s attention lies elsewhere. A renowned gardener and lover of literature, he revels in the plants, trees, and flowers that tell the history of the people and ecology of northern Spain.

Brimming with wry observations―of nature, himself, and other pilgrims on the road―The Way of the Gardener reveals the beauty and the darkness of the human condition while underscoring the deeply fascinating nature of nature itself. This textured work makes for perfect armchair―or garden―reading.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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