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Walking Art Practice: Reflections on Socially Engaged Paths

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Walking Art Practice, Reflections on Socially Engaged Paths was published by Triarchy Press, London in 2018. Serving as an intimate walker’s manifesto, this little book consists of a generous collection of short, personal, field reflections by artist Ernesto Pujol on walking as a socially engaged art form, bringing together his experiences as a former monk, performer, social choreographer, and educator.

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Speaking in Silence
walkingevent

WALC Confluence 6 hosted by Nau Côclea documenting walking art, featuring Ernesto Pujol.

How do you document Walking art? Asks your host, Clara Gari from Nau Côclea. For some artists documenting their work is a process of making a further an artwork in itself, for others the walk is the document. In 1998, the CDAN (The Centre of Art & Nature) in Huesca, Spain, commissioned a piece for


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lonning, lonnin

Cumbrian dialect term for ‘lane’ – but a quite specific lane. Lonnings are usually about half a mile long, low level and often with a farm at the end. Many have specific names known only to the local villagers. Hence, Bluebottle Lonning, Lovers Lonning, Fat Lonning, Thin Lonning, Squeezy Gut Lonning or Dynamite Lonning. In the north-east the spelling is lonnin and seems to refer more to an alley than a country lane. The Scottish equivalent is ‘loan’.

Added by Alan Cleaver
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