Sound artist Anne Cecilie Lie invites to a discussion around sound walking in the Anthropocene and raises questions about global technology and ecology, how it affects art practices by working with locative technologies and smartphones; the importance of other/non-human perspectives and senses of scale; and avoiding over-aestheticizing a “serene nature” as opposed to the chaotic/dark/grey nature of ecology where humans are as much a part of as more-than-human.
hybrid flaneur/flaneuse
Hybrid flaneur/flaneuse has become a performative “orchestrator” of steps and technologies – of sensory and emotional encounters. It is this oscillation between the poetic, the socio-technological, the geographical and the emotional that shifts the meaning of flanerie and walking in the 21st century. Hybrid flaneur/flaneuse can be also described in line with the cultural and aesthetic trajectories of the 20th century ambulatory practices. Therefore, a hybrid flaneur/flaneuse could be a creative merging of the romanticised view of early flaneur, the radical tactics and political implications of psychogeography and the performative/site-oriented elements of Fluxus and Land Art – all considered through a wide range of embodied media, social and geographical sensitivities.
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