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Drifting the Liminal (between urban and rural)

Kaczmarek_Drifting Liminal image1

While there are official institutionally delineated lines, the cultural, geographic and psychological lines that define the boundaries between that which is rural, and that which is urban, are created by those who observe them in the moment. This drift utilizes walking as an analytical mode to explore these geographic dichotomies in relation to the undefined cultural and psychogeographic spaces that divide them. Small groups of walkers will circumnavigate what they perceive to be the border of Olot while mapping their walk. Through the enactment of the work, and the aggregation of outcomes, walking becomes a cartographic instrument for the investigation and mapping of the perceived perimeter between the urban and the rural.

Participants : unlimited number of groups with 2 to 4 participants
Duration: the initial meeting and setting of the prompt will take only 10-15 minutes. The drift itself is guided by the decisions of the participants, so there is not an exact time that can be determined. To fully complete the walk as prompted may take several hours.
Needs: participants will need a way of mapping the walk. This can take any form of “mapping” that participants choose (digital tracking, sketching, audio recording, etc.)
Location: TBD

This event has happened

Walking Art and Relational Geographies (2022)

5 - 9 Jul, 2022 · 45 items

2022-07-07 15:30
2022-07-07 15:30

Olot, Spain

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In this walking art piece, a simple yet evocative action unfolds over 18 minutes and 20 seconds, transforming a rural Catskills landscape into a meditation on connection, presence, and the changing dynamics of perception. The work takes the viewer on a journey around a tree in Maplecrest, NY, using the act of walking as both an artistic practice and a means of creating an evolving relationship with the environment.


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the [video]flâneur

The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories, he does not write poems. He has only a video camera. He takes shots of the city; he takes shots of the “life” of the people of the city, sometimes he also shoots “himself” (…without camera moves, without zooming, without special lighting, with original sound, without permission); Later he chooses and combines the scenes, Installs and presents them online, offline, on site or off site, always under different contexts.

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