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In Pursuit of Clairaudience

In Pursuit of Clairaudience

*** Registration Full ***

Led by Hildegard Westerkamp

Dedicated to the memory of composer R. Murray Schafer who passed away on August 14, 2021.

Sunday, September 26, 2021; 1-2:30PM
(approx. 1 hour total walking time, followed by a half hour open discussion)
Meeting Location: By the chandelier under Granville Bridge, NE corner of Granville St and Beach Ave.

Soundwalks are free, but capacity is limited. Participants MUST register in advance.
If you do not register we can not guarantee that there will be a spot available for you on the day of the Soundwalk.

Schafer coined the term soundwalk and was the first to propose it as a form of active participation in the soundscape. All this happened right here in Vancouver in the early 1970s, when Schafer taught at SFU, headed the World Soundscape Project research group and wrote his seminal book The Tuning of the World. On this walk we will revisit some of Schafer’s early approaches to soundwalking and will test and contemplate their relevance and application through our own present day listening in times of Covid and the Climate Crisis.

Accessibility information: Light to moderate walking, possibly some stairs. The route can be adjusted around stairs with advance notice. Please contact [email protected] if you have any accessibility concerns or other questions.

This Soundwalk was conceived and will be guided by Hildegard Westerkamp, with assistance from Jorma Kujala, Jennifer Schine and other members of the Vancouver Soundwalk Collective.

Note: This walk will end near the north side of the Vancouver Aquatic Centre, about 1km from the starting point. We invite you to stay in the area following the Soundwalk to take in Ben Brown’s Sound Sculptures performance beginning at 3PM at The Swimmer public sculpture near the Vancouver Aquatic Centre.

This event has happened

2021-09-26 23:00
2021-09-26 23:00

Hosted by: Vancouver New Music
Granville Bridge, Granville Bridge, Vancouver, BC, Canada

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pedinamento

A highly influential ideologue of neorealism, scriptwriter and director Cesare Zavattini suggested “pedinare,” the Italian word for stalking or shadowing, as a technique for filmmaking. Pedinare in cinema entailed “tailing someone like a detective, not determining what the character does but seeking to find out what is about to ensue.” The etymology of the word in Italian suggests “legwork” as it is derived from the Italian word for foot, “piede.” It is possible to suggest that the proliferation of images of walking in Italian Neorealism is closely linked to the technique of pedinamento, not because all neorealist filmmakers were followers of Zavattini, but because going out onto the street to encounter the everyday life of post-war Italian cities and creating cinematic tools to articulate these encounters were major concerns for the filmmakers of that era.

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