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Sound/Image22 Conference & Festival

Andrew Stuck•

Andrew Stuck

Co-founder of walk · listen · create (United Kingdom) 
CC-BY-NC: University of Greenwich
Sound:Image22 – Uni Grenwich
Sound:Image22 – Uni Grenwich

The Greenwich SOUND/IMAGE Conference and Festival presents a series of exhibitions, workshops, talks and activities showcasing leading audio-visual art that investigates relationships between sound and image. The first SOUND/IMAGE Conference took place in 2015, inviting international world-leading artists to share their work and practice, in an open and accessible environment.

Concerts / Talks / Performances / Screenings / Installations / Workshops

This audiovisual festival brings together international artists and experts exploring the relationship between sounds and images, and the images which sounds can construct by themselves.

From over 430 submissions, we have curated a rich programme of complementary talks, screenings, loudspeaker orchestra concerts, and performances – bringing together composers, filmmakers, electronic musicians, live visual performers, researchers from all over the world to stimulate discussion, debate and engage diverse perspectives and new insights on sound and audiovisual practice.

We are delighted to welcome the following featured artists as special guests:

This event has happened
Website
18 - 20 Nov, 2022
18 - 20 Nov, 2022
Hosted by: Faculty of Liberal Arts, Sciences University of Greenwich, UK
Stockwell Street Building, 10 Stockwell Street, London SE10 9BD, UK
Sub-collection

audio-visual

Sub-collection · 6 items
Sub-collection

exhibitions

Sub-collection · 9 items

images

Collection · 4 items
Sub-collection

sound

Sub-collection · 221 items

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Squatting and Common Land in Hackney

What has encouraged the rise in squatting today – what are the political, economic and legislative currents that encouraged this, and what is the impact of squatting not just in its immediate locale, but also across our collective culture?  Who should care if it is on the increase? All this and much more was revelaed in Melissa Bliss’ Squatting and the Common Land walk co-produced by Andrew Stuck at the Museum of Walking.

Andrew Stuck•
post

V&A · Glastonbury Festival Soundscapes

Be transported (back) to Worthy Farm and deep inside the Glastonbury Festival experience (2014) with these binaural soundscapes by Gareth Fry. Source: V&A · Glastonbury Festival Soundscapes

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Listening Together: Sound, Memory and  Wellbeing Symposium

Sharing findings from the Unlocking Our Sound Heritage. The British Library alongside 10 Hub partners has been using the rich content from its sound archives to develop new programmes and resources that inspire creativity, stimulate memory and enhance wellbeing.

Andrew Stuck•
Walking piece

Walkin’

A song by KPOP band, Super Junior, about walking towards one's dreams.

url

POINTS D'OUÏE, PAYSAGES SONORES PARTAGÉS

PAS - Parcours Audio Sensibles

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Added by Asli Ozgen-Tuncer
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