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SWS22 2021

Eavesdropping

Eavesdropping
Edinburgh, an Ríocht Aontaithe
60 minutes
15 euros
Sound walk

Part of the Walk This Play® series by ThickSkin, in association with the Traverse Theatre.

Don your headphones and get ready to eavesdrop in this latest solo audio experience from ThickSkin. Celebrating the stories and people who are the heartbeat and spirit of Edinburgh, Eavesdropping asks who gets to define a city, who gets to be it’s guide and who’s story matters.

Eavesdropping takes audiences on an adventure through familiar and unfamiliar streets of Scotland’s capital, revealing new sides to and stories of the people who (may) live here. This location-based walking audio play by Hannah Lavery and Sarah MacGillivray, the latest in ThickSkin’s Walk This Play® series, will encourage audiences to look differently at the rich tapestry of people you may walk past every day, whether you notice them or not.

Writers
Hannah Lavery and Sarah MacGillivray

Director
Jonnie Riordan

Composer & Sound Designer
Finn Anderson

Dramaturg
Eleanor White

Credits

Hosted by: ThickSkin Theatre

APA style reference

ThickSkinTheatre (2021). Eavesdropping. walk · listen · create. https://walklistencreate.org/walkingpiece/eavesdropping/

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cat-foot

Cats aren’t known for clomping around like Clydesdales; they’re stealthy. That’s why cat-footing refers to walking that’s more subtle and graceful than that of the average oaf. In Harry L. Wilson’s 1916 book Somewhere in Red Gap, this word appears in characteristic fashion: “…I didn’t yell any more. I cat-footed. And in a minute I was up close.” Cat-footing is a requirement for a career as a cat burglar. Credits to Mark Peters.

Added by Geert Vermeire

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