Imagine the pond is a stormy sea. The closer you get, the more intense the gale becomes. Take cover behind monuments—listen to what speaks in their wake—and dare to glean what lies in the eye of the storm.

A data sonification piece based on five poems written by female poets who lived/worked in Boston over the course of its history.

A walk piece by Janet Cardiff and George Bures Miller, curated by Bruce Ferguson for the landmark group exhibition Walking and Thinking and Walking, at the Louisiana Art Museum in Denmark, 1996. The walk leads the audience through the back end of the museum, by the sea, through a garden, mixing fictional images evoked by the narration with factual imagery seen by the listener.

Normalised Interfacing is a wheelchair soundwalk, mapping the experiences and thoughts of a wheelchair user in a new city.

A silent walk in three parts over 13 months up the Nooksack River: an anti-survey and visceral confrontation with foundational architectures of settler-colonization in Whatcom County (US), territories of the Lhaq’temish and Nuxwsá7aq nations.

A collaborative sound walk which follows the route of bus number 4, which makes a circular journey around the centre of Guimarães, Portugal.

An intimate walk through her childhood and its messy, burgeoning queerness, local author Clare Johnson shares stories of herself, those she has known, and also reflects on the many whose lives are left unwritten on the landscape.

Echoscape is an immersive audio experience that connects time, place and imagination. Maiden Castle has been a focus of imagination for countless people over its history.

“Sins Beneath the Equator” is a project which deconstructs myths deeply rooted in the Pernambuco and Brazilian imagination, related to the Dutch occupation of the northeast of Brazil, in the 17th century.

ReRoot is a hybrid soundwalk performance created by composer and sound artist Robert Coleman and dancer and choreographer Laura Sarah Dowdall for the Barnaslingan Wood, in the Dublin Mountains.

The IMMA Timescapes Soundwalk is a hybrid soundwalk / performance resulting from a collaboration between composer and sound artist Robert Coleman, ornithologist Seán Ronayne, and performer and improviser Seán Mac Erlaine.

Drift through Brompton Cemetery with the Londoners who love, dream and walk amid the dead.
Starting point: Brompton Cemetery, North Gate, Old Brompton Rd, London, SW5 9JE, UK

Bring your body, your senses and your memories to the sea for this short meditative sound walk, that weaves together recordings of underwater environments in Malmö with reflections from participants in open workshops with Land Art in Skåne.

Sky Walkers, 2024. Sonic, ambient artwork. Six prose poetic meditations on sites on the Dublin Mountains familiar with many walkers. Commissioned by Dún Laoghaire-Rathdown County Council (Ireland). Available to listen anywhere.

In the heart of Rio de Janeiro, the life and work of Machado de Assis are revealed through 9 innovative audio experiences. City landmarks come to life to share their stories and connection with the author. A unique and immersive experience.

This is an audio recording of a poem set to the theme tune of Radio 4’s Shipping Forecast, which describes a wet and wild walk in the Outer Hebrides.

‘Along The Lines’ is an immersive mobile soundwalk exploring Brighton’s laundry heritage. Designed and recorded by sound artist and researcher Anna Celeste Edmonds, in collaboration with charity Quiet Down. This project was funded by the Heritage Lottery, and is accessible on Echoes and the artist’s website.

The Chalk Path/Le Chemin de Craie is a bilingual self-guided audio walk through Folkestone Warren and Cap Blanc Nez that invites you to walk down through deep time, to reflect on the past and reimagine the future, considering the enormity of time and it’s relationship to our own human existence and impact.

If you are an educator who would like to introduce poetry in place to your students, check out this resource by artist Fereshteh Toosi: https://opentextbooks.uregina.ca/listeningsharedsocialpractice/chapter/poetry-in-place/

DB Amorin’s long shadow is a 40-minute “soundride” on the MAX Red Line in Portland, OR inspired by the sustained yearning to revisit former homes during the COVID-19 lockdown, a longing which over time became its own interior landscape to traverse.