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SWS19 2019

Oslo Architecture Triennale 2019: Place Listening

1572822884.ARA_9524-Anna-Emilie-Rosen
Multiple locations
90 minutes
English / Norwegian

place

Collection · 195 items

Play

4 sub-collections · 71 items
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Walking Art

Sub-collection · 99 items

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Last Tuesday Cafe

We’ll pick up on threads and themes that have been developing as we have collectively been considering aspects of place . Please register your interest by replying to this email by Sunday 25th April and we’ll send you additional details and link to the zoom call.

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Listening and Recording In the second step we head outside again and take the same route we took a week before, however this time, make an audio/video recording of your entire journey with a smart phone or digital recorder. You can ‘set and forget’ the recording device, or use it creatively to frame your journey

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place

Collection · 195 items

Play

4 sub-collections · 71 items
Sub-collection

Walking Art

Sub-collection · 99 items

Related

Sound walk

Full of Noises: a village sound walk

Full of Noises is a self-guided soundwalk in the Village of East Hampton, created by sound artist Viv Corringham, that invites participants to explore local cultural sites through attentive listening. The walk, accessible via the Gesso app, begins at Guild Hall and continues through The Duck Pond and Clinton Academy, offering prompts to engage with the sounds and histories of each location.

Viv Corringham
walkingevent

Last Tuesday Cafe

We’ll pick up on threads and themes that have been developing as we have collectively been considering aspects of place . Please register your interest by replying to this email by Sunday 25th April and we’ll send you additional details and link to the zoom call.

Kel Portman
Sound walk

Listening to Bees

This binaural recording of bees was captured in May 2021 at Fairlight Country Park, Sussex, using ear mics from Falmouth University. The accompanying geocache and site artworks were created collaboratively with volunteers who researched the park’s history.

Mary Hooper
walkingevent

Daydream Livorno SoundWalk 2

Listening and Recording In the second step we head outside again and take the same route we took a week before, however this time, make an audio/video recording of your entire journey with a smart phone or digital recorder. You can ‘set and forget’ the recording device, or use it creatively to frame your journey

Elisabetta Senesi
Sound walk
No longer available
Place Listening investigates how playful urban listening can reshape connections between people and their environments through workshops and an audio walk in Oslo’s ROM area. The project documents these sessions in a gallery installation featuring site-specific sound recordings that invite participants to explore contemporary urban experiences.

What if the focus of urban living was not productivity but play?

Place Listening explores how playful urban listening can expand the relationships between people and the places they inhabit. We live in a time where efficiency is favoured over play: roads are for circulation not interaction; places are designed around consumption not co-existence; we sleep not to dream but to be productive the next day. Listening and play can enable forms of awareness that challenge these ingrained norms and allow for different ways of being in the city.

Place Listening is developed with citizens and visitors of Oslo through a series of listening, playing, and walking workshops in May 2019. Recordings of the workshops have been edited into a site-specific audio walk around the area of ROM. Inside the gallery, you can experience a sound-based documentation of this audio walk and the process behind its making. Grab some headphones and let the Future guide you through a playful exploration of the stories, opinions and places of the present.

Photo credit: Anna-Emilie-Rosen

Credits

Hosted by: Oslo Architecture Triennale and ROM for Art and Architecture

APA style reference

Engeset, E. (2019). Oslo Architecture Triennale 2019: Place Listening. walk · listen · create. https://walklistencreate.org/walkingpiece/oslo-architecture-triennale-2019-place-listening/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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