Political Soundwalks: listening to the political protests in Minsk, Belarus

Walking piece details

LanguageEnglish, Belarusian, Russian

Political Soundwalks (Belarus, 2020-2021)

CC-BY-NC: Pavel Niakhayeu

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When the protests against the rigged presidential elections started in August 2020, ‘soundwalk’ felt an appropriate concept to use while making field recordings at the streets. That’s how ‘Political Soundwalks’ was created – an archive of field recordings I made at demonstrations, rallies, DIY concerts, poetry readings, theater performances, guided historical tours and other forms of sonic and cultural resistance to the dictatorship. (http://soundcloud.com/political_soundwalks)

There were no Covid-lockdowns in Belarus, but walking in the streets at ‘the wrong time / wrong place’, the very act of coming out of your house is political and can have dramatic consequences – arrest, fine, beating, even death.

‘I’m walking!’ – said the 74 year old symbol of the Belarusian protest, Nina Bahinskaja, to the riot policemen that urged her to go away.

‘I’m coming out!’ – were the last words of a 31 year old Raman (Roma) Bandarenka, who has died in November 2020 after he was beaten by the pro-state vigilante. ‘Roma, we’ve came out!” – were our words when we guarded his memorial from the encroaching enforcers and when, instead of the massive street marches, we’ve turned to smaller neighbourhood actions – fast, flexible but more risky.

In this audio-essay you’ll hear how Minsk sounded during the political protests of 2020-2021, how the protesters and the state are fighting for the space with voices, noises and music. The field recordings are the starting points for a discussion on the multifaceted role of sound in claiming the urban and political space in Belarus.

Trigger warning: This audio contains loud sounds of flashbang grenades explosions, people shouting and loud music. Please do not listen to this work, if you’re sensitive to such sounds or have traumatic experiences associated with them.

Music, poems and TV reports recorded at various locations in Minsk are used here for research purposes according to the ‘fair use’ principle:

03:53 – ‘My Biełarusy’ (the State Anthem of the Republic of Belarus)
04:25, 05:10 – Anatol Yarmolenka & Victoria Aleshko (?) ‘Sineokaya’ (‘The Blue-Eyed’)
09:00 – Viktor Tsoy – ‘My zhdyom peremen!’ (‘We are waiting for changes!’)
09:40 – Dzivasil – unknown track
10:10 – Dzivasil – unknown track
14:31 – Paŭlina Skurko reads a poem by Vasil Vitka
15:17 – unknown girl from Donbas reads a poem by an unknown author
16:52, 17:58 – Uładź Lankievič reads his poems
19:10 – Sveta Ben & RSP sound check
19:40 – Sveta Ben & RSP – “Angel”
21:55, 24:16 – Euronews TV reports, November 2020

Pavel Niakhayeu

Pavel Niakhayeu


I'm Pavel Niakhayeu (aka Pavel Ambiont, Nieviadomy Artyst) - an electronic musician, A/V artist and researcher from Belarus. I work at the Department of Social Sciences at the European Humanities University (Vilnius, LT) where I teach a course on Sound, Mu...

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Pavel Niakhayeu created Political Soundwalks as an audio-essay to document what Minsk sounded like during the political protests of 2020-2021. His field recordings provide a starting point for a discussion on the multifaceted role of sound in claiming the urban and political space.

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