This paper analyzes Christina Kubisch's Five Electrical Walks, a sound art piece where participants use special headphones to hear electromagnetic waves from urban electric sources. It explores the work’s dual revelation of the city as both an unexpectedly musical organic system and an alien, inorganic soundscape, accompanied by an audio presentation featuring guided walks and synthesized sound examples in multiple languages.

This artwork incorporates sound recordings captured beneath pylons alongside images of pylons converted into sounds, available on the Echoes.xyz app. The piece begins at North Greenwich Station in London and leads toward A Bullet from a Shooting Star, created for the Greenwich SOUND/IMAGE Festival.

A Conversation for Robot and Fly is a three-movement sound work combining field recordings from rural Leicestershire, overheard conversations, and sounds from the Birmingham School of Art building. This version is presented as a geolocated sound piece accessible via the Echoes App at the original site on Margaret Street, Birmingham.

Jussi Parikka’s *Insect Media* conceptualizes media as embodied, non-human forms that converge natural and constructed worlds through resonant milieus rather than binary oppositions. Building on this, an audio walk explores inhabiting these resonant spaces using psychoacoustic techniques to blur boundaries between music, field recordings, and sound art, challenging traditional modes of perception and bodily experience.