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SWS24 2023

Soundwalking, Listening and Contested Histories

Joseph Young in the archives at Killruddery House
17 minutes
Free

Walking Visions / Walking arts Encounters

3 - 10 Jul, 2023 · 7 items

Soundwalk

Collection · 285 items

Public Art

Collection · 179 items

walking as research.

Collection · 169 items

place

Collection · 387 items
Sound walk

This audio paper explores through a ‘thinking out loud’ how sound art and specifically soundwalking practices in the landscape can contribute to the discussion of contested histories through the creation of immersive sonic encounters. The paper takes as its starting point a recently completed PhD research project in Bray, County Wicklow, Ireland which explored the colonial-era archives of an Irish aristocratic family through walking and listening.

The thesis, ‘Killruddery: Listening to the Archive’ explored what it means to listen to a written archive, in order to examine how that archive could be brought into the public realm as a walking experience, displacing the hidden voices, the sonic spectres of archive into the grounds of the Killruddery estate where they are summoned through the power of geo-location.

In this audio paper, the idea of ‘listening to the archive’ is brought to audition as a methodology for an artistic research process, how musing whilst walking (and simultaneously recording those thoughts) contributed to an artistic understanding of place and social context, through the interaction of the lived soundscape and the artist’s internal dialogue. The geo-located soundwalk that was produced as a result, ‘The Ancestors’ (currently live on the Echoes platform) re-enacts this listening process for the listener/walker as they encounter the titular ancestors, the landscape and architecture, whilst immersing themselves in over 400 years of archival material.

Using original field recordings from the Killruddery estate, overlaid with a central narrative voice, the artist-researcher attempts to think through a process of critical examination, sounding and experience, using the audio essay format.

“How do we walk this place,
In silence or in doubt?
How do we understand history,
Through architecture
or through absence”

(Young, 2020, Walk This Place)

Soundwalking, Listening and contested Histories

CC-BY-NC: Joseph Young

Credits

Written and recorded by Dr Joseph Young
Hosted by: Walking Visions - International Walking Arts Encounters/Conference Prespa 2023

APA style reference

Young, J. (2023). Soundwalking, Listening and Contested Histories. walk · listen · create. https://walklistencreate.org/walkingpiece/soundwalking-listening-and-contested-histories/

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A Deep Dive into “Soundwalking, listening and contested histories”

In the audio paper Soundwalking, listening and contested histories, Joseph Young explores how sound art and specifically sound walking practices in the landscape can contribute to the discussion of contested histories through the creation of immersive sonic encounters.


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oversupinate

People who jog, run, and sprint have their share of problems that slow-moving people can barely comprehend. One is oversupination. As the OED defines it, to oversupinate is “To run or walk so that the weight falls upon the outer sides of the feet to a greater extent than is necessary, desirable, etc.” A 1990 Runner’s World article gets to the crux of the problem: “It’s hard to ascertain exactly what percentage of the running population oversupinates, but it’s a fraction of the people who think they do.” Credits to Mark Peters.

Added by Geert Vermeire

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