Musian : Composer : Teacher : Writer Through listening walks, I observe the coalescence of elemental difference — Light to water, water to land, the soil/ mycelium to trees, the minerals and species of the ocean floor in the dark, to the surface wave patterns of water, illuminated by subaqueous light. Through attunement to the currents and wave patterns water, I experience an expression of time, and a sonic ontology of water. I offer listening walks and deep listening sonic experiences, compose intermedia works, to draw experiential sensory awareness to the ocean this planet is. My practice is a reciprocal devotion to water. I am beginning new research in collaboration with filmmaker Philippe Léonard at the place in the Fleuve St Laurent where saline water transforms to fresh water, and beings live in both worlds.

VIV CORRINGHAM (voice, electronics, field recordings) is a US based British vocalist and sound artist, who has been described as “a vital force in improvised music since the late 1970s” (Corey Mwamba, BBC Radio 3) and “a vocalist of stunning virtuosity” (Louise Gray, The Wire). She makes concerts, soundwalks, workshops and installations. Her practice explores relations between voice, place and walking, responding with sung improvisations to both natural and urban soundscapes. Corringham has received international recognition and awards including two McKnight Composer Fellowships through the American Composers Forum. She is a certified facilitator of Deep Listening, having played and studied with composer Pauline Oliveros. In 2024 this practice took her to Mexico, Spain, Germany and the Listening Academy in Hong Kong. Notable live performances have occurred in festivals at Queen Elizabeth Hall, London, Hong Kong Arts Centre, Fonoteca Nacional de Mexico, Issue Project Room New York and Tempo Reale Florence. Her recent album “Soundwalkscapes” (Vol. 1: January to June) on Flaming Pines label (Bandcamp’s Best Field Recordings 2024) has been well received. The Wire wrote that “Corringham voices the depth of place.” Her definitive contribution to sound art practice is the 20 year ongoing “Shadow-walks”, which create layers of time and space, combining recordings from shared and solo walks along the same path with her improvised sung response. They have occurred in 18 countries, are taught in many sound art classes and have been the focus of articles in books and publications.