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Ymittos, Greece
90 minutes
Free
English, Greece

Sub-collection

City

Sub-collection · 39 items

Landscape

Collection · 351 items

spatiality

Collection · 19 items

Related

Sound walk

Marches

With Marches, commissioned by Artangel Inter- action in February 2008, Lawrence Abu Hamdan set out to explore the auditory perception of the built environment using the ephemeral and intangible nature of sound to re- imagine our architectural surroundings and daily spatial practices. These choreo- graphed marches saw ten participants navigate two planned passages through the urban

Lawrence Abu Hamdam
Walking piece

Agape / Temporary echoes

Video work is based on the intersection of new media, CGI animation, topography, live paths and physical movement in digital space. It's walking experience in the forest of Freising, Germany. The artist uses gps tracking of her walking experience to create this piece of art.

Beáta Kolbašovská
url

pedestrian – Pedestrian Blog

The URL leads to the Pedestrian Blog hosted on Sandra Cowan’s website, which focuses on themes related to walking, art, and urban space. The blog features reflections, essays, and project documentation that explore walking as a cultural and artistic practice. It engages with the ways pedestrian movement intersects with environmental, social, and spatial contexts, often considering walking as a method of inquiry and creative expression within the urban landscape. The entries include discussions on walking art projects, public space interventions, and the experiential qualities of navigating city environments on foot. The blog situates these practices within broader discourses of cultural geography and environmental psychology, highlighting the significance of walking in understanding place, identity, and community dynamics. It serves as a resource for those interested in the intersections of art, geography, and pedestrian culture.

post

Introducing Sound Walk City · prelude

Together with Cona, we are both proud and pleased to introduce Sound Walk City · prelude, a festival of sound walks, performances and sound works, coinciding with Sound Walk September 2021.

Babak Fakhamzadeh
Sub-collection

City

Sub-collection · 39 items

Landscape

Collection · 351 items

spatiality

Collection · 19 items

Related

Sound walk

Marches

With Marches, commissioned by Artangel Inter- action in February 2008, Lawrence Abu Hamdan set out to explore the auditory perception of the built environment using the ephemeral and intangible nature of sound to re- imagine our architectural surroundings and daily spatial practices. These choreo- graphed marches saw ten participants navigate two planned passages through the urban

Lawrence Abu Hamdam
Walking piece

Agape / Temporary echoes

Video work is based on the intersection of new media, CGI animation, topography, live paths and physical movement in digital space. It's walking experience in the forest of Freising, Germany. The artist uses gps tracking of her walking experience to create this piece of art.

Beáta Kolbašovská
url

pedestrian – Pedestrian Blog

The URL leads to the Pedestrian Blog hosted on Sandra Cowan’s website, which focuses on themes related to walking, art, and urban space. The blog features reflections, essays, and project documentation that explore walking as a cultural and artistic practice. It engages with the ways pedestrian movement intersects with environmental, social, and spatial contexts, often considering walking as a method of inquiry and creative expression within the urban landscape. The entries include discussions on walking art projects, public space interventions, and the experiential qualities of navigating city environments on foot. The blog situates these practices within broader discourses of cultural geography and environmental psychology, highlighting the significance of walking in understanding place, identity, and community dynamics. It serves as a resource for those interested in the intersections of art, geography, and pedestrian culture.

post

Introducing Sound Walk City · prelude

Together with Cona, we are both proud and pleased to introduce Sound Walk City · prelude, a festival of sound walks, performances and sound works, coinciding with Sound Walk September 2021.

Babak Fakhamzadeh
Walking piece
No longer available
Standing on a spot of a limitless landscape - out of homes, away from workspaces - the bodies become vehicles. The senses become compasses to navigate in this natural world made of concrete and soil. The trees are close enough to reach.

The third space is a peripatetic participatory performance, that employs the principles of Permaculture in the city, working specifically with the first principle of ‘observe and interact’. The project emphasizes an embodied sense of being in and experiencing the urban space as an ‘active agent’, real and imaginary, dramatic and scenographic.
The scope of the work is to re-imagine human-nature relations and create “a caring for the earth | caring for each other” spatial narrative. The participants are invited to form and construct their dramaturgical interpretations in this peripatetic route using an eco-choreographic approach.
They walk through spaces that brace mobility and place the body in. They meet the performative language of poetry that stimulates engagement with the landscape. The project views the city as a collection of scenographic settings. Treating buildings, roads, pocket parks, and squares, as frames, theatricalizes the real space and challenges the common perception of the city. The third space is an invitation towards rethinking how we gather and the practices that we share when we do.

Credits

Artistic advisor: Anastasia Barka
Illustration/Graphic Design: Genevieve Athanasopoulou
Greek Translation: Maria Blana

The work was conceived and flourished within the context of the Moving Ground project, supported by Duncan Dance Research Center.
Hosted by: Isadora & Raymond Duncan Dance Research Center

APA style reference

Polychronidou, A. (2022). | | | space. walk · listen · create. https://walklistencreate.org/walkingpiece/space/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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