Raquel Potí has become the preeminent face of Rio’s Carnival street parties, and is a fixture on the front pages of Brazilian newspapers and magazines. Source: They call her the muse of Rio de Janeiro’s Carnival. She insists she’s a missionary – Newsday
The Cathedral of St. John the Divine welcomes Philippe Petit, High Wire Artist and Artist in Residence at the Cathedral, for “The Ribbon Walk.” The event Source: Philippe Petit, High Wire Artist, Performs The Ribbon Walk At The Cathedral Of St. John The Divine
Ken Johnston, the Philly “walking artist,” who walked to Canada last year, is walking on Christmas Eve – from the Poplar Neck Plantation where Harriet Tubman rescued family members in 1854. Source: Philly man walks on Christmas Eve to recreate Harriet Tubman’s holiday rescue of her brothers
Come and join the award-winning Lithuanian artist Lina Lapelytė hands-on workshops in March that explore listening as a way of experiencing places, self, and others. During the session the group will be guided through practical exercises that will encourage you to engage more deeply with your aural surroundings.
Source: Get involved in SPACE’s next exhibition – [ SPACE ]
pedestrian acts
By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.
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