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1 Mar, 2022

Of blood and water

Of blood and water artwork image_AlbanLow

Long listed for the WALKING HOME writing competition run in January & February 2022

Poetry Winner

Tony Horitz reads Of Blood and Water

Of blood and water

For seventy years,
five English places
he had called home; 

but within his hybrid blood
flowed secret rivers – Vltava
Elbe, Oder, Morava
– 

names he could barely
pronounce but ingested
in childhood – those Sundays 

his father and uncle met,
and goose-fat dumplings with
sweet-vinegared cabbage 

evoked their birth-language;
and he, an uncomprehending
ghost, sensed their sadness, 

wondering if they wanted
to return home to Prague,
in search of their mother, 

lost in the Holocaust. They never did.
Years later, he stepped off
the train there, walking to find 

the city’s New Jewish Cemetery
and the fallen family gravestone
hidden beneath sprawling ivy. 

He fetched water, let it flow
like a river washing clean
a century’s legacy of dirt 

as he whispered Vltava,
Elbe, Oder, Morava
– until
his name at last appeared.


Read more from the Long List of poems and stories submitted to the WALKING HOME writing competition. Watch winning authors reading their work on the video of the Write About Walking Home showcase event that took place on Sunday 25 September 2022.

Itching to write something yourself? Submit a piece to our Shorelines project, and invite your friends to read it aloud. Join one of our creative writing workshops or keep up to date with all our competitions by signing up to our curated newsletter here.

APA style reference

Horitz, T. (2022). Of blood and water. walk · listen · create. https://walklistencreate.org/2022/03/01/of-blood-and-water/

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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