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Walking A:way Winners Announced

Walking A/way with the prizes…

At the Sound Walk Stories Sunday showcase event of new writing, at which the shortlisted poems and stories from our 2023 Walking A/way themed writing competition, were read by their inspiring authors, we learnt which of them walked away with the prizes.

Frequent attendee of Walking Writers’ Salons, Amelia Hodsdon told us that her winning story “arrived fully formed”. Entitled I could, You know, I could is something she often thinks about after she has walked her kids to school, savouring some magical realism on the way home. Amelia “was also inspired by the recent Walking Writers’ Salon event with the writer Gail Simmons, and her mention of the Long Man of Wilmington chalk figure. Where is the line between dream and reality, and how will we be remembered?”

Tree-lover Shani Cadwallender who was unable to attend the showcase, wrote about what inspired her to write her winning poem stump speech: “This piece was inspired by my research for my creative-critical PhD project at Birkbeck, which is about the representative strategies used by marginal women poets of the nineteenth century to depict trees. Jonathan Bate’s excellent recent book, ‘Radical Wordsworth’, makes the connection between metrical feet and literal ones, which my poem picks up in a consideration of how positionality shapes the types of nature to which we are exposed, and over which we feel ‘ownership’.” 

So impressive was the quality of poems submitted in the competition, that poetry judges, Ralph Hoyte and this year’s poet-in-residence Tony Horitz, chose two poems as runners-up. They were Serenade by EilÍn de Paor and Anna in the Ashes by Jan Martin. Chris Cuninghame‘s East of Woolwich was the runner-up in the story category.

Winners receive Silver membership of walk · listen · create for a year and the honour of becoming our 2023/4 online writers-in-residence, and so will be choosing the theme for next year’s competition. They also win, as do the runners-up, a print of the artwork that Alban Low created in response to their pieces.

Congratulations to all the shortlisted authors: Ricky Abbott, Shani Cadwallender, Kevin Cheeseman, Lorraine Collins, Chris Cuninghame‘, EilÍn de Paor , Amelia Hodsdon, Rosaleen Lynch, Jan Martin, Isabela Mead, and Richard Westcott.

You can purchase a copy of WALKING 23, the anthology of all shortlisted pieces, from our online shop.

We would like to thank R.M. Francis who expertly compered the showcase; Cheryl Markosky and Tony Horitz who each read work they had created during their online residencies, as well as acting as judges; joined in judging by Ralph Hoyte and S.A.Greene. We would especially like to thank Alban Low for his beautiful artwork, and Chris Bestwick for editorial, and to both of them for publishing the anthology.

APA style reference

Stuck, A. (2023). Walking A/way with the prizes…. walk · listen · create. https://walklistencreate.org/2023/09/24/walking-a-way-with-the-prizes/
Long Man, UK
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creative writing

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Walking writing

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One thought on “Walking A/way with the prizes…

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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