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Sylvie Marchand

Sylvie Marchand

Gigacircus

Fred Adam
Sylvie MarchandLionel Camburet
Sylvie Marchand's practice brings art and new technologies together around the creation of interactive devices. She was born in France where she acquired training in the performing arts and anthropology. In addition to her theoretical research, she continued her artistic activities by performing in the USA, then by making creative documentaries, and finally by creating multi-screen digital devices.
The Banff Center (Canada), The Universtity of Louisiana (USA), The M.I.D.E. (Cuenca, Spain), Alliance Française de Monterrey (Mexico), ICES (Ulan Bator, Mongolia), La Maison des Auteurs d'Angoulême (FR), Colegio de la Frontera Norte (Tijuana, Mexico), Bishkek Art Center (Kyrgyzstan), Friche Théâtre System (Marseille), Hangar (Barcelona, Spain), CNES La Chartreuse lez Avignon (FR), La S.A.T. (Montreal Canada) supported and / or co-produced his creations.
Sylvie Marchand teaches at the European School of Image in Poitiers, where she heads the Research andCreation Workshop "Interactive Devices and Digital Scenographies".
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oversupinate

People who jog, run, and sprint have their share of problems that slow-moving people can barely comprehend. One is oversupination. As the OED defines it, to oversupinate is “To run or walk so that the weight falls upon the outer sides of the feet to a greater extent than is necessary, desirable, etc.” A 1990 Runner’s World article gets to the crux of the problem: “It’s hard to ascertain exactly what percentage of the running population oversupinates, but it’s a fraction of the people who think they do.” Credits to Mark Peters.

Added by Geert Vermeire

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