She is proud to be a co-founder of the Australian Walking Artists network and in 2025 worked on the Manna Gum Stories project with Traditional Custodian Richard Collopy including the new limited edition artbook Maari the Manna Gum. She also undertook a Certificate IV in Health & Leisure and produced the joyful project Teapot Tales at Barkly Square Ballarat. 2026 sees her as ‘story researcher in residence’ at this wonderful community hub, where she is also establishing A.T Studio.

Lenzie Moss is a designated Local Nature Reserve in East Dunbartonshire, near the city of Glasgow, UK. It is a boggy and marshy area with a history of peat extraction. The Moss now serves as a vital habitat for diverse wildlife, including water vole and bog rosemary, and the green hairstreak butterfly, alongside areas of silver birch woodland. My name is David Overend. I moved to the edge of Lenzie Moss in the summer of 2023 and began to regularly take the 25 minute walk round its border, sometimes daily. I have walked with friends, my children, and once with an expert on water vole habitats. Mainly I have walked alone: as a break from work; to start the day with some fresh air; in search of kestrels and deer. Every time I complete the circle, I notice, learn or experience something new. The walk has become something of a ritual, a way of marking the change in the seasons. Since I started to follow this route, I have had the feeling that there is more to discover and that this repeated circular walk might lead me somewhere. So, I am walking it 100 more times, each time with a different person from the local community, or a visiting artist or researcher with some interest in peatlands. As I share these encounters on this blog, I hope that a co-authored text will emerge, bringing a series of walked dialogues to a wider readership, and perhaps finding a way for the Moss to tell its stories. If you would like to be part of this project and join me for a walk round Lenzie Moss, please get in touch.

Media artist Johanna Steindorf explores themes of migration, gender, the act of perceiving and being perceived in public spaces, and the corresponding construction of private space. Having lived in various countries across Europe, Asia and Latin America, the work of this German-Brazilian artist, born in Quito, is shaped by these experiences, which she often expresses through participatory performances, audio, video and photography, using narrative and mobile strategies.

The webpage at petercoyte.com titled "Coyte Frankel Music Dance" documents the interdisciplinary work of Coyte Frankel, an artist whose practice integrates performance, choreography, and music to explore spatial and temporal experiences. The site provides detailed visual and textual materials that reflect Frankel’s investigations into the dynamics of walking, rhythm, and bodily movement in relation to urban environments and natural landscapes. It highlights projects that fuse sound and motion, employing soundwalks and performative acts that engage the body as a medium for navigating and interpreting spaces. The page also situates Frankel’s work within a broader context of artistic research, emphasizing its experimental and site-responsive nature. It includes photographic documentation, audio recordings, and descriptive narratives that exemplify how Frankel challenges conventional perceptions of movement and space. This material serves as both archive and insight into the artist's process, revealing a commitment to understanding the interplay between sound, movement, and environment as a form of cultural and spatial inquiry.

Janice Jensen (*1994) is a visual artist from Germany. She is mostly engaged with drawing and painting but also works with media such as video and painting in virtual reality. Among other things, Janice considers herself a walking artist and combines walking and drawing using her self-designed drawing machine to document landscapes. Janice graduated from Bielefeld university of applied Arts in digital, media and experiment in 2022 and also studied painting at Vilnius Academy of Arts in 2021. In 2019 she was one of the founding members of the feminist Naturtrüb collective and Magazine, which brings together female artists and researcher to release their work in a Magazine dedicated to different topics. Janice Jensen has also been participating in several artist residency programs in Sweden, Spain, Lithuania and Cyprus and exhibited her work in various places throughout Germany including Hamburg and Berlin.

The website http://www.ewaeckerle.com belongs to Eva Waeckerle, a visual artist whose work primarily explores the relationship between walking, space, and perception. The site features a portfolio of her projects that often involve walking as a method of inquiry and artistic practice, integrating site-specific interventions, participatory elements, and documentation through photography and video. Her work engages with themes of geography, landscape, and cultural memory, examining how movement through space influences experience and understanding. The website is organized to present detailed descriptions of Eva Waeckerle’s ongoing and past projects, publications, and exhibitions. It also includes an about section with biographical information and a CV outlining her education and professional activities. The portfolio exemplifies a multidisciplinary approach, combining art, geography, and social practice, while emphasizing the experiential dimension of walking as an artistic and research tool.

Anne Cecilie Lie's website presents her work at the intersection of walking, art, and cultural geography. The site details her explorations of landscapes and urban environments through embodied walking practices, emphasizing the sensory and experiential dimensions of place. It features her engaging with issues such as memory, identity, and environmental perception, often blending artistic expression with academic inquiry. The site includes documentation of her projects, which combine maps, text, photography, and sound to articulate nuanced spatial narratives. It also highlights her collaborations and exhibitions, illustrating how her practice situates walking as a form of knowledge production within both art and cultural geography disciplines.

The website "Write the Map" is a creative project that explores the intersections of writing and place through the practice of walking. It documents how literary texts and geographic locations influence one another, highlighting the spatial dimensions of narrative and authorship. The site features essays, maps, and visual materials that examine the relationship between landscapes, urban environments, and the act of writing, situating literary production within specific cultural and geographical contexts. The project also engages with themes of cultural geography by considering how walking serves as both a method of inquiry and a form of artistic expression. It brings attention to how movement through space can shape literary imagination and create new modes of storytelling. Through various contributions and archival materials, "Write the Map" offers insights into how physical journeys and textual narratives reciprocally inform each other, framing walking as a durational and spatially aware creative practice.

Duncan is an award winning composer and sound artist whose practice utilises acoustic and digital forces. His output encompasses audio augmented reality, concert music, creative technologies, digital storytelling, performance, social practice, sound installations, soundwalks, and interdisciplinary practice that engages a variety of sources that include acoustic ecology, ethnography, folklore, science, and social and political issues. His work is commissioned, exhibited, performed and broadcast internationally by, amongst others, the Arditti Quartet, duoDorT, Fretwork, Galvanize Ensemble, Goldberg Ensemble, Jane Chapman, Juice, London Sinfonietta, Ensemble Okeanos, Making Music, Piano Circus, Tate Modern, and Whitechapel Gallery. Awards include two Sound & Music Shortlisted Composer awards, Handel House Composer in Residence, and twice nominated for an Ivor Novello Award.

The website walknowtracks.co.uk serves as an archive and resource focused on walking routes primarily within the United Kingdom. It catalogues a diverse range of walks, emphasizing detailed route maps, descriptions, and geographical points of interest along each path. The platform integrates cultural and historical contexts related to the routes, enriching the understanding of the landscapes and communities encountered during the walks. The site also enables users to access walking tracks with GPS data, supporting an intersection of digital navigation and traditional walking practices. Additionally, walknowtracks.co.uk functions as a hub for walking enthusiasts and researchers interested in exploring how walking intersects with cultural geography and spatial experience. Through its curated walks, the site documents the relationship between physical movement across terrains and the cultural narratives embedded within those spaces. This approach reflects the broader field of walking art, where walking is both an act of exploration and a method of engaging with place-specific stories, heritage, and environment.

Walking Landscapes is a project dedicated to exploring the interconnectedness of walking, art, and cultural geography. It curates and presents a diverse range of walking-based artistic practices and research, emphasizing how walking as an embodied experience shapes and reflects cultural, social, and environmental landscapes. The platform features detailed case studies, artist projects, and scholarly essays that investigate walking as a method of inquiry and creative expression, highlighting its role in mapping places, histories, and personal narratives. The website also serves as a resource hub for those interested in the interdisciplinary field of walking art, showcasing walking routes, sound walks, performance walks, and other experimental approaches that utilize the act of walking to engage with different urban and rural environments. By documenting these practices, Walking Landscapes contributes to a deeper understanding of place-making and spatial relations, as well as the ways walking practices intersect with memory, identity, and ecology.

Walking Without a Donkey is a specialized website dedicated to walking trails and hiking routes in Israel. It provides detailed, map-based guides for a variety of paths, from short strolls to multi-day treks, emphasizing accessibility and accuracy. The site includes GPS tracks, elevation profiles, clear route descriptions, and background information on natural and cultural landmarks encountered along the way, supporting both casual walkers and experienced hikers in planning their excursions. The site also offers insights into the geography, history, and ecology of the regions covered, connecting the physical pathways to their broader cultural and environmental contexts. It serves as a resource for those interested in exploring Israel’s diverse landscapes on foot, such as desert trails, forested areas, and coastal paths. The content is regularly updated and verified, reflecting a focus on reliable, practical information for outdoor walking enthusiasts.

The website "walking-peace.blogspot.com" serves as a dedicated blog exploring the concept and practice of walking as a form of peace-building and contemplative engagement. It features posts that document various walking projects, events, and personal reflections aiming to connect movement through landscape with themes of nonviolence, mindfulness, and cultural understanding. The content includes detailed accounts of walks undertaken in different geographic and social contexts, highlighting how walking functions as a tool for fostering dialogue, community engagement, and awareness of social and environmental issues. The blog also presents scholarly and artistic perspectives on walking, integrating ideas from peace studies, cultural geography, and walking art. It references historical and contemporary figures associated with walking and peace activism, and discusses methodologies that emphasize walking as an embodied practice for social change. The site is structured to provide both narrative and analytical insights, often accompanied by photographs and maps that contextualize the walks within specific landscapes and communities.

The Tumblr site of Siobhan Potter presents a diverse collection of photographic works and visual art exploring themes of movement, identity, and cultural narrative. The images often capture dynamic urban environments and intimate portraits, reflecting the artist’s interest in how individuals interact with and are shaped by their surroundings. The visual style emphasizes texture, light, and human presence, creating a dialogue between the subject and place. Throughout the archive, Potter’s work reveals an engagement with cultural geography, using walking and observation as modes of artistic inquiry. The collection includes series that document spontaneous encounters and constructed scenes, suggesting a layered understanding of place as both physical and experiential. Overall, the site functions as a visual journal that traces the intersections of personal and collective space through photography.

The website "WalkArt" hosted on WordPress is a dedicated platform exploring the intersection of walking, art, and cultural geography. It documents and analyzes practices where walking is employed as an artistic and research method to engage with places, landscapes, and urban environments. The content includes essays, project descriptions, and reflections that examine how walking can reveal the sociocultural, political, and environmental dimensions of specific sites, often emphasizing sensory experience and embodied knowledge. The site also curates and archives various walking-based art projects, events, and exhibitions, highlighting the diversity of approaches in this field. It situates walking art within broader discourses such as psychogeography, place studies, and site-specific art, contributing to critical understandings of space and movement. By focusing on the artistic and geographical implications of walking, the platform serves as a resource for researchers, artists, and practitioners interested in the cultural geographies of mobility and place-making.

The website "https://vanessagrasse.wordpress.com" serves as an online portfolio and blog for Vanessa Grasse, an artist and cultural geographer. The site features a comprehensive overview of her artistic projects, which often explore themes related to place, memory, and identity through various mediums including drawing, printmaking, and installation. It also provides detailed accounts of her research interests in cultural geography, emphasizing the relationship between landscape and human experience. Additionally, the site includes sections dedicated to recent exhibitions, academic publications, and collaborative projects. Visitors can find visual examples of Grasse’s work alongside descriptions that contextualize her practice within broader cultural and geographic frameworks. The blog component offers insights into ongoing research and reflections on art and geography, making the site a resource for those interested in walking art and the spatial dimensions of cultural expression.

VIV CORRINGHAM (voice, electronics, field recordings) is a US based British vocalist and sound artist, who has been described as “a vital force in improvised music since the late 1970s” (Corey Mwamba, BBC Radio 3) and “a vocalist of stunning virtuosity” (Louise Gray, The Wire). She makes concerts, soundwalks, workshops and installations. Her practice explores relations between voice, place and walking, responding with sung improvisations to both natural and urban soundscapes. Corringham has received international recognition and awards including two McKnight Composer Fellowships through the American Composers Forum. She is a certified facilitator of Deep Listening, having played and studied with composer Pauline Oliveros. In 2024 this practice took her to Mexico, Spain, Germany and the Listening Academy in Hong Kong. Notable live performances have occurred in festivals at Queen Elizabeth Hall, London, Hong Kong Arts Centre, Fonoteca Nacional de Mexico, Issue Project Room New York and Tempo Reale Florence. Her recent album “Soundwalkscapes” (Vol. 1: January to June) on Flaming Pines label (Bandcamp’s Best Field Recordings 2024) has been well received. The Wire wrote that “Corringham voices the depth of place.” Her definitive contribution to sound art practice is the 20 year ongoing “Shadow-walks”, which create layers of time and space, combining recordings from shared and solo walks along the same path with her improvised sung response. They have occurred in 18 countries, are taught in many sound art classes and have been the focus of articles in books and publications.

evor H. Smith is an artist and freelance writer. Recently the work has focused on or stemmed from the connections between language, place, and identity. Walking, spoken word, and drawing have emerged as the dominant outcomes of these interests. Since the beginning of 2023 Trevor has focused his creative energy on long form writing.

Art | Science | Technology | Environment

MultiMedia Artist who works with a social practice. Background as radio and video documentary producer. Currently on Canada Council grant creating site-specific, narrative- based sound walks in a forest on the parallel crisis mental illness and clima...