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Walking as a Community based art practice – WALC opening seminar

WALC Opener

Art reaches its full potential when it engages with societal issues, empowering communities beyond traditional art’s focus on objects and images. In this context, the artist acts as a community member, sharing personal experiences. Landscape, Place, and Space are crucial in shaping communal and nomadic practices. Europe’s rural communities, facing abandonment and destruction, can be revitalized through community-based art, with walking as a key practice. The WALC network, created by seven European partners in Greece’s Prespa region, aims to transform walking into a community-based practice, fostering social development in areas impacted by war and decline.

The WALC network aims to expand community-based practices from Greece’s Prespa region to a global audience through an ongoing outdoor art project with both physical and digital spaces. This initiative will bring together walking artists, ecologists, scientists, citizens, refugees, and immigrants to support rural sustainability. The presentation will feature discussions with curators and artists, followed by a roundtable with WALC partners from various countries. The event will conclude with an invitation for organizations, groups, and artists to join WALC’s journey, offering opportunities to participate in the residency program or collaborate remotely.

The presentation will unfold in three parts, beginning with a discussion featuring curator Lydia Matthews (Athens/New York), artist/researcher Clare Qualmann (Walking Artists Network / University of East London), and nomadic artist Jez Hastings (UK), followed by a roundtable moderated by curator and activist Nina Felshin (US). The roundtable will include WALC partners Clara Gari (Catalonia), Natacha Antao Moutinho (Portugal), Sylvie Marchand (France), Anna Luyten (Belgium), Andrew Stuck (UK), and Yannis Ziogas (Greece).

The talks will conclude with an invitation from WALC artistic coordinators Yannis Ziogas and Geert Vermeire, encouraging other organizations, schools, groups, collectives, and individual artists to join the journey.

Hosts

Geert Vermeire

Geert Vermeire

co-founder of walk · listen · create (Belgium) 
Yannis Ziogas

Yannis Ziogas

I wander in places visible/ invisible. I find objects/incidents (Greece) 
Lydia Matthews

Lydia Matthews

 
Nina Felshin

Nina Felshin

(United States) 
Clare Qualmann

Clare Qualmann

I am an artist and academic using walking in my work 
Jez Hastings

Jez Hastings

 

Walking Arts & Local Communities (WALC) is an artistic cooperation project, co-funded by the European Union, Creative Europe, starting in January 2024 for four years. With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, backed up by an online counterpart in the format of a digital platform for walking arts.

WALC builds on the previous work of hundreds of artists and researchers already practicing Walking Arts as a collaborative medium, and having met at the significant previous walking arts events and encounters in Greece, Portugal, Spain, France, Belgium, and during online activities at walk · listen · create.

We acknowledge the support of the EU Creative Europe Cooperation grant program in the framework of the European project WALC (Walking Arts and Local Community).

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

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2024-09-17 16:30

Online

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WALC Opening Seminar

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the [video]flâneur

The artist walks like a „Flâneur“ through the city. He does not have a turtle with him (as the original Parisian Flâneur of the 1830‘s used to); later, he does not write stories, he does not write poems. He has only a video camera. He takes shots of the city; he takes shots of the “life” of the people of the city, sometimes he also shoots “himself” (…without camera moves, without zooming, without special lighting, with original sound, without permission); Later he chooses and combines the scenes, Installs and presents them online, offline, on site or off site, always under different contexts.

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