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SWS19 2019

108

1572826906.Screenshot-2019-08-27-at-12.26.26
Multiple locations
40 minutes

ONE OH EIGHT / TWIN GEOLOCATED AUDIO DRAMAS

To listen in situ on the 108 bus in either Cape Town or London, go to Echoes.xyz or download the app from the AppStore or Google Play. Download the app (and the audio drama via the app) BEFORE you board the 108 bus.

To listen at home, see the audio players by clicking on the Links box on the top right of the page. Recorded in binaural sound – please listen on headphones or earbuds.

108 in London: Lewisham > Blackheath > Peartree Way > Millennium Village > North Greenwich > Poplar > Bow > Violet Road > Stratford City > Stratford International Station

Listen in situ in Cape Town on Echoes

The route proceeds through strikingly contrasting areas: predominantly middle-class Blackheath, the new developments on the Greenwich Peninsula, multi-ethnic Tower Hamlets, to end at the white elephant of Stratford International Station – where, despite its name, no international services call. The audio drama is set from Blackheath to Poplar.

108 in Cape Town: Hangberg > Hout Bay Harbour > Sea Point > Adderley

Listen in situ starting Blackheath, London on Echoes

Under the apartheid system, the Group Areas Act designated Hangberg as a “coloured” residential area. Poverty and unemployment in Hangberg are high, and it has been the site of a number of political protests. Hout Bay & Sea Point contain multi-million rand mansions, luxurious holiday homes and some small wine estates.

Supported by funding from Goldsmiths, University of London Department of Media, Communications and Cultural Studies’ 40th Anniversary Community Fund.

With thanks to the Museum of Walking and #SoundWalkSunday Executive producer Andrew Stuck

APA style reference

Bristow, N. (2019). 108. walk · listen · create. https://walklistencreate.org/walkingpiece/108/

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The Future of Media

A book launch to celebrate the publication of ‘The Future of Media’, written by members of the Department of Media, Communications and Cultural Studies at Goldsmiths. The Department of Media, Communications and Cultural Studies at Goldsmiths have the pleasure of inviting you to the launch of our book, The Future of Media, coedited by us and Joanna Zylinska, and published by Goldsmiths Press. The


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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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