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SWS21 2021

A High Street Sound Walk in Whitefriargate, Hull

Images of Jez Riley French recording sounds in Hull
Whitefriargate, Hull, UK
20 minutes
Free

heritage

5 sub-collections · 92 items
Sub-collection

Historic

Sub-collection · 10 items

Hull

Collection · 3 items

NationalTrust

Collection · 10 items

Related

Sound walk

A High Street Sound Walk on Duke Street, Barrow

Historic England, in partnership with the National Trust and Sound UK, has launched a series of self-guided sound walks available from 10 September to explore the heritage of local high streets during Heritage Open Days. Artist Dan Fox’s walk highlights Barrow's high street, featuring stories from local residents, historic landmarks, and events such as the town hall centenary and the lunchtime influx of ship workers.

Historic England
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A High Street Sound Walk in Redruth

Historic England, in partnership with the National Trust and Sound UK, has launched self-guided sound walks for Heritage Open Days to explore the history and stories of local high streets, with a focus on Redruth. These immersive walks, created by artists Anna Maria Murphy, Sue Hill, and Ciaran Clarke, are available online from 10 September and feature voices and narratives spanning generations.

Historic England
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A High Street Sound Walk on St Peter’s Hill, Grantham

Historic England, in partnership with the National Trust and Sound UK, has launched a series of self-guided sound walks for Heritage Open Days, including Sandra Kazlauskaite's ‘Traces and Echoes: Resounding Grantham's High Street.’ This immersive audio experience explores the evolving social and cultural history of Grantham's high street through stories and sounds from local residents, available to listen from 10 September via Historic England’s website.

Historic England
Sound walk

A High Street Sound Walk on King Street and Market Place, Great Yarmouth

Historic England, in collaboration with the National Trust and Sound UK, has launched a series of self-guided sound walks for Heritage Open Days, starting 10 September. Artist Oliver Payne’s walk ‘Knapped Flint Cracked Concrete’ highlights the diverse character of Great Yarmouth's high street through local stories and distinctive sounds, available via smartphone on the Historic England website.

Historic England
post

Uncovering the history of a high street

Jez Riley French’s sound walk Breet Velvit Ake (‘Bright Velvet Wander’ in the Yorkshire dialect) evokes Whitefriargate’s history using a range of hidden, overlooked or usually inaudible sounds from the street.

Jez Riley French
post

Sound Walk September 2021 Awards shortlist

This year, we had over 150 eligible submissions for the awards, meaning that trimming them down to a manageable shortlist was more difficult than ever.

Babak Fakhamzadeh

heritage

5 sub-collections · 92 items
Sub-collection

Historic

Sub-collection · 10 items

Hull

Collection · 3 items

NationalTrust

Collection · 10 items

Related

Sound walk

A High Street Sound Walk on Duke Street, Barrow

Historic England, in partnership with the National Trust and Sound UK, has launched a series of self-guided sound walks available from 10 September to explore the heritage of local high streets during Heritage Open Days. Artist Dan Fox’s walk highlights Barrow's high street, featuring stories from local residents, historic landmarks, and events such as the town hall centenary and the lunchtime influx of ship workers.

Historic England
Sound walk

A High Street Sound Walk in Redruth

Historic England, in partnership with the National Trust and Sound UK, has launched self-guided sound walks for Heritage Open Days to explore the history and stories of local high streets, with a focus on Redruth. These immersive walks, created by artists Anna Maria Murphy, Sue Hill, and Ciaran Clarke, are available online from 10 September and feature voices and narratives spanning generations.

Historic England
Sound walk

A High Street Sound Walk on St Peter’s Hill, Grantham

Historic England, in partnership with the National Trust and Sound UK, has launched a series of self-guided sound walks for Heritage Open Days, including Sandra Kazlauskaite's ‘Traces and Echoes: Resounding Grantham's High Street.’ This immersive audio experience explores the evolving social and cultural history of Grantham's high street through stories and sounds from local residents, available to listen from 10 September via Historic England’s website.

Historic England
Sound walk

A High Street Sound Walk on King Street and Market Place, Great Yarmouth

Historic England, in collaboration with the National Trust and Sound UK, has launched a series of self-guided sound walks for Heritage Open Days, starting 10 September. Artist Oliver Payne’s walk ‘Knapped Flint Cracked Concrete’ highlights the diverse character of Great Yarmouth's high street through local stories and distinctive sounds, available via smartphone on the Historic England website.

Historic England
post

Uncovering the history of a high street

Jez Riley French’s sound walk Breet Velvit Ake (‘Bright Velvet Wander’ in the Yorkshire dialect) evokes Whitefriargate’s history using a range of hidden, overlooked or usually inaudible sounds from the street.

Jez Riley French
post

Sound Walk September 2021 Awards shortlist

This year, we had over 150 eligible submissions for the awards, meaning that trimming them down to a manageable shortlist was more difficult than ever.

Babak Fakhamzadeh
Sound walk
Historic England, in partnership with the National Trust and Sound UK, has launched a series of self-guided sound walks for Heritage Open Days, including Jez Riley French’s ‘Breet Velvit Ake’ in Hull’s Whitefriargate. These immersive walks use hidden and usually inaudible sounds to explore the social, cultural, and physical history of local high streets, available from 10 September via the Historic England website.

Historic England is working with the National Trust and Sound UK to launch a series of self-guided, immersive sound walks to help people discover the magic of their local high streets for Heritage Open Days. In Hull, artist Jez Riley French’s sound walk ‘Breet Velvit Ake’ (‘bright velvet wander’ in the Yorkshire dialect) evokes Whitefriargate’s complex social, cultural and physical history. Using a fascinating range of hidden, overlooked or usually inaudible sounds, it invites you to take time to listen, pause and discover this street in a new way. High Street Sound Walks are available via the Historic England website from 10 September: listen any time via your smartphone or other personal device. HistoricEngland.org.uk/SoundWalks

Produced in association with Absolutely Cultured.

High Street Sound Walks is a commission by Historic England, National Trust and Heritage Open Days with support from the players of People’s Postcode Lottery and produced by Sound UK. It is part of the High Streets Heritage Action Zones Cultural Programme, led by Historic England.

Breet Velvit Ake - Extract 1

Copyright: Jez riley French

Breet Velvit Ake - Extract 2

Copyright: Jez riley French

Breet Velvit Ake - Extract 3

Copyright: Jez riley French

Credits

Hosted by: Historic England, National Trust, Sound UK

APA style reference

England, H., & French, J. (2021). A High Street Sound Walk in Whitefriargate, Hull. walk · listen · create. https://walklistencreate.org/walkingpiece/a-high-street-sound-walk-in-whitefriargate-hull/
Historic England

Historic England

(United Kingdom) 
Jez Riley French

Jez Riley French

(United Kingdom) 

2 thoughts on “A High Street Sound Walk in Whitefriargate, Hull

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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