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SWS22 2022

Chorlton Oral History Soundwalk

Chorlton-cum-Hardy, Chorlton Green, St Clement’s Church and Lych Gate
Chorlton Green, Chorlton-cum-Hardy, Manchester, UK
Free

Sub-collection

Field recording

Sub-collection · 38 items
Sub-collection

oral history

Sub-collection · 16 items
Sub-collection

sound

Sub-collection · 221 items

Related

post

V&A · Glastonbury Festival Soundscapes

Be transported (back) to Worthy Farm and deep inside the Glastonbury Festival experience (2014) with these binaural soundscapes by Gareth Fry. Source: V&A · Glastonbury Festival Soundscapes

Andrew Stuck
walkingevent

Listening Together: Sound, Memory and  Wellbeing Symposium

Sharing findings from the Unlocking Our Sound Heritage. The British Library alongside 10 Hub partners has been using the rich content from its sound archives to develop new programmes and resources that inspire creativity, stimulate memory and enhance wellbeing.

Andrew Stuck
Walking piece

Walkin’

A song by KPOP band, Super Junior, about walking towards one's dreams.

walkingevent

In the Field 2

Over eighty international presenters will contribute a diverse range of insights across peer reviewed presentations, workshops, sound and video works. Topics including acoustic witnessing, technology and ethics, critical fieldcraft, multi-sensory listening, memory, archives and more will forge unique and timely interventions into the changing methods, aesthetics and debates that infuse the field. Registration starts at 09.30 each

Andrew Stuck
Sub-collection

Field recording

Sub-collection · 38 items
Sub-collection

oral history

Sub-collection · 16 items
Sub-collection

sound

Sub-collection · 221 items

Related

post

V&A · Glastonbury Festival Soundscapes

Be transported (back) to Worthy Farm and deep inside the Glastonbury Festival experience (2014) with these binaural soundscapes by Gareth Fry. Source: V&A · Glastonbury Festival Soundscapes

Andrew Stuck
walkingevent

Listening Together: Sound, Memory and  Wellbeing Symposium

Sharing findings from the Unlocking Our Sound Heritage. The British Library alongside 10 Hub partners has been using the rich content from its sound archives to develop new programmes and resources that inspire creativity, stimulate memory and enhance wellbeing.

Andrew Stuck
Walking piece

Walkin’

A song by KPOP band, Super Junior, about walking towards one's dreams.

walkingevent

In the Field 2

Over eighty international presenters will contribute a diverse range of insights across peer reviewed presentations, workshops, sound and video works. Topics including acoustic witnessing, technology and ethics, critical fieldcraft, multi-sensory listening, memory, archives and more will forge unique and timely interventions into the changing methods, aesthetics and debates that infuse the field. Registration starts at 09.30 each

Andrew Stuck
Sound walk
Commissioned by North West Sound Heritage, sound artist Hayley Suviste created a geo-locative sound walk on Sonic Maps, using interviews from The Manchester Studies unit's extensive oral history project from the 1970s.

Commissioned by North West Sound Heritage, sound artist Hayley Suviste created a geo-locative sound walk on Sonic Maps, using interviews from The Manchester Studies unit’s extensive oral history project from the 1970s. Older adults (born in the late 19th and early 20th centuries) were interviewed about their time growing up, living, and working in Chorlton between 1900 and 1950. These oral histories have been brought to life with field recording and sound design. Listen in person, or on the Sonic Maps web player.

Credits

Hosted by: North West Sound Heritage

APA style reference

Suviste, H. (2022). Chorlton Oral History Soundwalk. walk · listen · create. https://walklistencreate.org/walkingpiece/chorlton-oral-history-soundwalk/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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