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2018

L E T M E T A K E Y O U T H E R E

L E T M E T A K E Y O U T H E R E image
Calderdale, UK
18 minutes

field recordings

Collection · 43 items

Grave

Collection · 1 items

Related

Sound walk

Stepping Out

Stepping Out by Red Herring Productions is a coastal walking performance featuring field recordings from the North Devon coastline. The project, in partnership with the North Devon Coast Area of Outstanding Natural Beauty, may offer downloadable sound files and encourage local visits to recording locations.

Fiona Fraser-Smith
Sound walk

A Meeting Place | 会议地点

This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.

Hayley Suviste
Walking piece

Blind walk/White walk

Blind Walk / White Walk is a bilingual (Greek/English) sound and live performance walk in Athens inspired by José Saramago's novel Blindness and the blind prophet Tiresias from Homer’s poetry. The route, between Theater Technis in Plaka and the Odeon of Herodes Atticus near the Acropolis, features immersive sound triggered via mobile devices alongside live actors, with contributions from Geert Vermeire, Stefaan van Biesen, and others.

Geert Vermeire
Sound walk

Instamatic #6 Prague

In 2010 Jez Riley French visited Prague again for a few days….the few days turned into a week due to volcanic ash closing the airspace over Europe….he walked around Prague sometimes recording, sometimes not….just walking & listening & looking – for his own pleasure….on the eventual long coach journey back to the UK he listened

Jez Riley French

field recordings

Collection · 43 items

Grave

Collection · 1 items

Related

Sound walk

Stepping Out

Stepping Out by Red Herring Productions is a coastal walking performance featuring field recordings from the North Devon coastline. The project, in partnership with the North Devon Coast Area of Outstanding Natural Beauty, may offer downloadable sound files and encourage local visits to recording locations.

Fiona Fraser-Smith
Sound walk

A Meeting Place | 会议地点

This soundwalk uses oral histories and 360-degree binaural audio to explore the Centre for Chinese Contemporary Art’s archive, highlighting migrant experiences and cultural memories in Manchester’s Chinatown. By triggering geolocated sounds and interview clips via GPS, listeners can immerse themselves in the area’s hidden histories through their smartphones and headphones.

Hayley Suviste
Walking piece

Blind walk/White walk

Blind Walk / White Walk is a bilingual (Greek/English) sound and live performance walk in Athens inspired by José Saramago's novel Blindness and the blind prophet Tiresias from Homer’s poetry. The route, between Theater Technis in Plaka and the Odeon of Herodes Atticus near the Acropolis, features immersive sound triggered via mobile devices alongside live actors, with contributions from Geert Vermeire, Stefaan van Biesen, and others.

Geert Vermeire
Sound walk

Instamatic #6 Prague

In 2010 Jez Riley French visited Prague again for a few days….the few days turned into a week due to volcanic ash closing the airspace over Europe….he walked around Prague sometimes recording, sometimes not….just walking & listening & looking – for his own pleasure….on the eventual long coach journey back to the UK he listened

Jez Riley French
Sound walk
This 18-minute stereo sound walk, set in a snowy field north of Hebden Bridge, UK, combines field recordings, ambient drones, and 1980s pop loops with a spoken monologue linking cultural figures like Leon Trotsky and Ian Curtis. The piece centers on photographer Charlie Meecham capturing the snowy scene used for Joy Division’s single "Atmosphere" cover, incorporating contributions from Paul Rooney and others.

An 18-minute stereo sound walk for a (preferably snowy) field north of Hebden Bridge, UK. Includes sound recordings from the field itself and from Heptonstall graveyard, along with a swirling snowstorm of ambient drones and chopped and screwed 1980s pop loops (this is the A major version). The spoken word monologue connects Leon Trotsky, Ted Hughes, Sylvia Plath, Ian Curtis, comic Russ Abbot, and artist Paul Rooney’s 1990s band Rooney, who’s singer Dermot Bucknall, and his disturbing ‘performance’ at a music gig in the Calder Valley, brings together many aspects of the piece in a darkly comic, ambiguous moment.

The work is structured around a description of photographer Charlie Meecham taking a photograph of the snowy field in question for a TV documentary. The photograph was later chosen by Joy Division and Peter Saville to adorn the cover of the 12″ single Atmosphere.

Thanks to Daniel Meadows, Charlie Meecham, Paul Rooney and Steve Fortune. More information here.

APA style reference

Chamois, A. (2018). L E T M E T A K E Y O U T H E R E. walk · listen · create. https://walklistencreate.org/walkingpiece/l-e-t-m-e-t-a-k-e-y-o-u-t-h-e-r-e/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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