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SWS23 2022

Sonic Byte: Wingham Brush Boardwalk

Wingham Brush Nature Reserve
Wingham NSW, Australia
14 minutes

deep listening

Collection · 34 items

history

10 sub-collections · 252 items

Nature

1 sub-collections · 164 items

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Anna Kirk-Smith is an interdisciplinary fine artist working with themes of nature, ecology, science and history, with specialist areas of interest being marine biology and geology. Unbridled curiosity and intriguing narratives are the starting points for her work.

walkingevent

Jane’s Walk London Festival 2023

A festival of free community-led walks for people to share stories about their neighbourhoods, discover unseen aspects of their communities, and use walking conversations as a way to connect with others.

JanesWalkLondon

deep listening

Collection · 34 items

history

10 sub-collections · 252 items

Nature

1 sub-collections · 164 items

Related

post

Of stone and water

Both a historical and imaginative reconstruction of a hill in Ingleborough.

AKRutherford
Sound walk

All-American Ruins: In Which I Let You Go at the Ruins of the Universal Atlas Cement Plant

All-American Ruins guides listeners through immersive audio fantasies, recreating my experiences exploring abandoned spaces. I ask critical questions about society and culture while encouraging folks to activate their imaginations for healing.

Blake Pfeil
url

annakirksmith.com

Anna Kirk-Smith is an interdisciplinary fine artist working with themes of nature, ecology, science and history, with specialist areas of interest being marine biology and geology. Unbridled curiosity and intriguing narratives are the starting points for her work.

walkingevent

Jane’s Walk London Festival 2023

A festival of free community-led walks for people to share stories about their neighbourhoods, discover unseen aspects of their communities, and use walking conversations as a way to connect with others.

JanesWalkLondon
Sound walk
A short stroll through the remnant lowland subtropical rainforest, Wingham Brush Nature Reserve, wedged between the town of Wingham and the Manning River on the Mid North Coast of NSW. Part of the Regional Futures project.

This Sonic Byte is a 14-minute stroll through a lowland subtropical rainforest wedged between the town of Wingham and the Manning River on the Mid North Coast of NSW (Australia), Wingham Brush Nature Reserve—a place that has survived enormous change since the colonisation of the Manning Valley.

Early one morning on a long weekend, I took time to consider how remarkable this pocket of remnant forest is with its giant fig trees, birdlife, and the noisy, chattering grey-headed flying foxes. My time recording the sounds of Wingham Brush over several days is part of a project exploring the future of regional communities like Wingham, to develop a series of sound-based works for the NSW Regional Futures project, and an exhibition at the Manning Regional Art Gallery, opening 23 March 2023. I recorded this walk on my mobile phone.

On 22 March 2023, I’ll gently guide a walk through Wingham Brush Nature Reserve to the Manning River, following the route of the recorded walk, as part of the public programming for the Manning Regional Art Gallery exhibition. Participants are invited to join me to learn more about deep and reciprocal listening and gain a greater appreciation of this incredible habitat on the doorstep of Wingham.

Listen via the project page – https://kvgoldsmithart.com/vaticinor/
Also on SoundCloud – https://soundcloud.com/kvgoldsmith/sonic-byte-wingham-brush-boardwalk
More about Regional Futures – https://regionalfutures.net.au/artists/kimgoldsmith/More about Kim V. Goldsmith’s

APA style reference

Goldsmith, K. (2022). Sonic Byte: Wingham Brush Boardwalk. walk · listen · create. https://walklistencreate.org/walkingpiece/sonic-byte-wingham-brush-boardwalk/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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