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2019

Soundwalk in Aulus-les-Bains

La Pesch

La Pesch

(Germany) 
CC-BY-NC: Carina Pesch
Binaural Headphones advised Site-specific
Aulus-les-Bains, Frankreich
54 minutes

composition

Collection · 17 items

France

Collection · 18 items
Sub-collection

mountains

Sub-collection · 36 items

Pyrenees

Collection · 11 items

Related

Sound walk

Your Time is Now

Huddersfield is trapped in a time loop. Unknowingly repeating the same day over and over. But time is slowing down, and the town is at risk of being lost forever. Today’s assignment is to reactivate time.

ThickSkinTheatre
walkingevent

(dis)solutions II (sound walk)

The 8-channel sound composition (dis)solutions II reflects on proximity between bodies through water.

Anne Cecilie Caroline Brunborg Lie Katarina Radaljac
Sound walk

Watch In?

Watch in? is an audio application developed by aifoon for the Permeke museum, featuring the AudioCollier, a pendant speaker worn by visitors to experience sound compositions linked to Permeke’s artworks. This device allows visitors to engage actively as listeners and performers, creating a dynamic, shared sound environment as multiple users become a walking surround system.

Stijn Dickel
Sound walk

Merging Spaces, 2022

A soundwalking by Frans van Lent & Elia Torrecilla

Elia Torrecilla Frans van Lent

composition

Collection · 17 items

France

Collection · 18 items
Sub-collection

mountains

Sub-collection · 36 items

Pyrenees

Collection · 11 items

Related

Sound walk

Your Time is Now

Huddersfield is trapped in a time loop. Unknowingly repeating the same day over and over. But time is slowing down, and the town is at risk of being lost forever. Today’s assignment is to reactivate time.

ThickSkinTheatre
walkingevent

(dis)solutions II (sound walk)

The 8-channel sound composition (dis)solutions II reflects on proximity between bodies through water.

Anne Cecilie Caroline Brunborg Lie Katarina Radaljac
Sound walk

Watch In?

Watch in? is an audio application developed by aifoon for the Permeke museum, featuring the AudioCollier, a pendant speaker worn by visitors to experience sound compositions linked to Permeke’s artworks. This device allows visitors to engage actively as listeners and performers, creating a dynamic, shared sound environment as multiple users become a walking surround system.

Stijn Dickel
Sound walk

Merging Spaces, 2022

A soundwalking by Frans van Lent & Elia Torrecilla

Elia Torrecilla Frans van Lent
Sound walk
This post features a morning walk through Aulus-les-Bains, the last French village before the Spanish border in the Pyrenees, during red deer mating season in September. The recordings and composition were created by Carina Pesch, with voices by Greg Byatt, Carina Pesch, and passengers, all captured during the CAMP-seminar "Recording Red Deer" by Chris Watson.

It is a new morning. In the Pyrenees. Time for a walk in the mountain village Aulus-les-Bains. It is the last village in France before the Spanish border. Red deer is calling in the surrounding mountains in September. It is mating season. The village lies silently – almost. Enjoy the little tour de village!

recordings, editing, composition by Carina Pesch
voice by Greg Byatt, Carina Pesch, and passangers

All recorded during the CAMP-seminar “Recording Red Deer” by Chris Watson.

APA style reference

Pesch, C. (2019). Soundwalk in Aulus-les-Bains. walk · listen · create. https://walklistencreate.org/walkingpiece/soundwalk-in-aulus-les-bains/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

Added by Asli Ozgen-Tuncer
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