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How seeing 1960s avant garde project The Walking City taught Hong Kong architect Benny Lee that nothing is impossible | South China Morning Post
Architect Benny Lee saw an original drawing from the 1960s pop art design project Archigram as a student and was reminded how architecture can improve people’s lives. Source: How seeing 1960s avant garde project The Walking City taught Hong Kong architect Benny Lee that nothing is impossible | South China Morning Post
The Big Draw – The world’s largest drawing festival | Sam and Sian: Drawing as Stimming
Drawing as Stimming for The Big Draw looks to create a time where stimming can happen, through drawing digitally and in response to stimuli internal to and external to the body. It seeks to explore how drawing and mark-making can support non-verbal communication and exploration, whilst also providing space to stim. Drawing As Stimming is
Related
How seeing 1960s avant garde project The Walking City taught Hong Kong architect Benny Lee that nothing is impossible | South China Morning Post
Architect Benny Lee saw an original drawing from the 1960s pop art design project Archigram as a student and was reminded how architecture can improve people’s lives. Source: How seeing 1960s avant garde project The Walking City taught Hong Kong architect Benny Lee that nothing is impossible | South China Morning Post
The Big Draw – The world’s largest drawing festival | Sam and Sian: Drawing as Stimming
Drawing as Stimming for The Big Draw looks to create a time where stimming can happen, through drawing digitally and in response to stimuli internal to and external to the body. It seeks to explore how drawing and mark-making can support non-verbal communication and exploration, whilst also providing space to stim. Drawing As Stimming is
A walkshop for Prespa. I investigate the power of ‘not knowing’ and wandering in walking art. Wandering, seen as a discipline of the art of loving the unforseen, the beauty of the problem and the philosophy of failing as a methodology to connect and reconnect with others, the environment and oneself. In this paper, written in a multimodal and multi sensorial way, I connect sound, embodiment, drawings and multi medial storytelling as an ode to the walking soul
I see walking/wandering as a social and philosophical method and embedded in the concept of building an architecture of ‘attention’ spaces. As a teaching or learning method it creates a flexible gaze and the praxis of: listening.
I am a lecturer at the Institute for performative arts in Maastricht and KASK, university of the Arts, Ghent .
In my master seminar ‘Wandering’ I bring students of various disciplines together (composers, painters, actors, instrument builders, fashion designers, film students, illustration, drawing, photographers…) but also managers and people who are in the local refugee center, and ask them to walk for instance the daily routine path of someone else..During the pandemic it was a very intimate way to connect and explore how we make and how we see space.
Credits
Hosted by: Walking as a Question

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