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River Echoes : Deep Listening Walk #2

RiverEchoesListeningWalk2

Join artist Kathy Hinde on a walk to listen to Bristol from an underwater perspective using hydrophones. Listen at Bathurst Basin, a former millpond that forms part of the floating harbour close to where the river Frome culvert re-joins the tidal Avon Cut.

Kathy will be joined by Dr. Ana Castro-Castellón, who describes herself an agent of water remediation and says, “I use nature, its physco-chemical and biological principles to remediate freshwater anthropogenic pollution and improve water quality for humans and wildlife”. Ana will share some insights into the benefits of reedbeds for water quality as we listen to the one recently installed at the Basin.

River Echoes Deep Listening Walks are transmitted live onto wireless headphones offering an enhanced listening experience of a live mix between the usually inaudible underwater soundscape and amplified sounds of the surroundings interspersed with a conversation between the walking guides.

For more details and how to book a place visit the weblink provided

Highlights from the Listening walk will be available to listen to as a podcast after the event.

River Echoes is part of a collective investigation into Bristol’s waterways. A project by Kathy Hinde with producer Sam Francis, Commissioned by Ginkgo, and sponsored by Bouygues UK.

This event has happened

2021-09-05 13:00
2021-09-05 13:00
2021-09-05 13:00

Bristol, UK

deep listening

Collection · 34 items

river

Collection · 65 items

water

4 sub-collections · 82 items

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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