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SWS23 2022

Folldal Open Form Pavilion of Air / Folldal Åpen Form Paviljong av Luft

Folldal Åpen Form Paviljong av Luft (Folldal Open Form Pavilion of Air) design
Folldal Gruver, Verket, Folldal, Norway
Free

ECHOES

Collection · 30 items

Floating

Collection · 7 items
Sub-collection

Participatory

Sub-collection · 52 items

Related

Sound walk

Bergen Open Form Pavilion of Air / Bergen Åpen Form Paviljong av Luft

A floating roof of sound in Bergen, GPS-triggered & accessed by headphones & Echoes app to playfully reframe public space as an essential community engagement. One of 15 in an international series drawing on Oskar & Zofia Hansen’s Open Form concept.

Robert Curgenven
Sound walk

Inisheer Open Form Pavilion of Air / Pailliún Aeir i bhFoirm Oscailte Inis Oírr

A floating roof of sound on Inisheer, GPS-triggered & accessed by headphones & Echoes app to playfully reframe public space as an essential community engagement. One of 15 in an international series drawing on Oskar & Zofia Hansen’s Open Form concept

Robert Curgenven
Sound walk

Lublin Open Form Pavilion of Air / Lubelski Pawilon Powietrza Formy Otwartej

A floating roof of sound at Lublin’s LSM. GPS-triggered & accessed by headphones & Echoes app. Playfully reframes public space as an essential community engagement. 1st of 15 in international series drawing on Oskar & Zofia Hansen’s Open Form concept

Robert Curgenven
Walking piece

moss.quarry.plaque

moss.quarry.plaque is an interactive artwork by Margaret Woodward (AUS) and Camilla Brueton (UK) installed in the City of Hobart's Digital Twin. It is based on their 3 synchronous walks in nipaluna/Hobart and in Caerdydd/Cardiff, Wales in 2022.

mwoodward

ECHOES

Collection · 30 items

Floating

Collection · 7 items
Sub-collection

Participatory

Sub-collection · 52 items

Related

Sound walk

Bergen Open Form Pavilion of Air / Bergen Åpen Form Paviljong av Luft

A floating roof of sound in Bergen, GPS-triggered & accessed by headphones & Echoes app to playfully reframe public space as an essential community engagement. One of 15 in an international series drawing on Oskar & Zofia Hansen’s Open Form concept.

Robert Curgenven
Sound walk

Inisheer Open Form Pavilion of Air / Pailliún Aeir i bhFoirm Oscailte Inis Oírr

A floating roof of sound on Inisheer, GPS-triggered & accessed by headphones & Echoes app to playfully reframe public space as an essential community engagement. One of 15 in an international series drawing on Oskar & Zofia Hansen’s Open Form concept

Robert Curgenven
Sound walk

Lublin Open Form Pavilion of Air / Lubelski Pawilon Powietrza Formy Otwartej

A floating roof of sound at Lublin’s LSM. GPS-triggered & accessed by headphones & Echoes app. Playfully reframes public space as an essential community engagement. 1st of 15 in international series drawing on Oskar & Zofia Hansen’s Open Form concept

Robert Curgenven
Walking piece

moss.quarry.plaque

moss.quarry.plaque is an interactive artwork by Margaret Woodward (AUS) and Camilla Brueton (UK) installed in the City of Hobart's Digital Twin. It is based on their 3 synchronous walks in nipaluna/Hobart and in Caerdydd/Cardiff, Wales in 2022.

mwoodward
Sound walk
A floating roof of sound in Folldal, GPS-triggered & accessed by headphones & Echoes app to playfully reframe public space as an essential community engagement. One of 15 in an international series drawing on Oskar & Zofia Hansen’s Open Form concept.

The “Folldal Åpen Form Paviljong av Luft” (Folldal Open Form Pavilion of Air) is a floating roof of sound across the front of the Helsestien Viewpoint in Foldlal, triggered by GPS and accessed via a smartphone, headphones and the echoes.xyz app. Inspired by Polish architects Oskar & Zofia Hansen’s “Open Form” architectural concept (ca. 1959), this audiowork is one of 15 locations in 9 countries in the pan-European Open Form Pavilion of Air series, using sound and site-mapping to offer a playful renewal and reframing of public space as an essential place of engagement for the community.

By walking through different zones at the front of the Helsestien Viewpoint,while using your mobile phone, the Echoes app and headphones, you become a participatory listener producing a composition in real-time. Your navigation creates a unique choreography via GPS, combining and changing sounds mapped along the viewpoint through the app. Hear this unique mountainside location and its context become transformed by the sounds forming this floating acoustic architecture, revealing an immersive, profoundly spatial and physical experience. The Pavilion has no visible presence outside the app and can only be accessed and enjoyed at the Helsestien Viewpoint in Folldal.

Credits

Developed in conjunction with Folldal Kommune and Folldal Kunstverket. Supported by Culture Moves Europe (EU) mobility grant.
Hosted by: Folldal Kommune

APA style reference

Curgenven, R. (2022). Folldal Open Form Pavilion of Air / Folldal Åpen Form Paviljong av Luft. walk · listen · create. https://walklistencreate.org/walkingpiece/folldal-open-form-pavilion-of-air/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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