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SWS23 2023

London Open Form Pavilion of Air

London Open Form Pavilion of Air design
London W2 3XA, UK
Free

Landscape

Collection · 461 items

Public Art

Collection · 183 items

sound

Collection · 392 items

Nature

Collection · 207 items
Sound walk

A complete primer on the Open Form Pavilion of Air series & information on the Dublin Pavilion via RTÉ Culture
https://www.rte.ie/culture/2023/0327/1366079-new-music-dublin-welcomes-you-to-the-open-form-pavilion-of-air/
The Dublin Open Form Pavilion of Air (Baile Átha Cliath Pailliún Aeir i bhFoirm Oscailte) is a sister work to the London Pavilion.

The London Open Form Pavilion of Air audiowork is a floating roof of sound, triggered by GPS and accessed via a smartphone, headphones and the echoes.xyz app. One of 15 locations in 9 countries in the Open Form Pavilion of Air series, following Pavilions for New Music Dublin, Warsztaty Kultury (Lublin, PL), Meetfactory (Prague, CZ), Sirius Arts Centre (Cobh, IE), Folldal Kommune (NO), Struer Tracks festival/Sound Art Lab (DK), Piteå Science Park (SWE), Kunstkvarteret Lofoten (NO) and Bergen Architecture School (NO). Inspired by Polish architects Oskar & Zofia Hansen’s “Open Form” architectural concept, they use sound and site-mapping to offer a playful renewal and reframing of public space as an essential place of engagement for the community.

The Pavilion’s area takes the form of a 160 x 160 metre arrow pointing west to Ireland & the sunset. Invisibly occupying part of the Gardens, itself once a King’s playground, the work’s concept echoes & reframes the fading colonial notion of a “… vast [British] empire on which the sun never sets” (the words of British colonial administrator Earl George Macartney in his “An Account of Ireland in 1773 by a Late Chief Secretary of that Kingdom”).

By walking through different zones in the specific area by the Serpentine Gallery in Kensington Gardens while using your mobile phone, the Echoes app and headphones, you become a participatory listener producing a composition in real-time. Your navigation creates a unique choreography via GPS, combining and changing sounds mapped in the Gardens through the app. Hear the park and its context become transformed by the many sounds forming this floating acoustic architecture, revealing an immersive, profoundly spatial and physical experience. The Pavilion has no visible presence outside the app and can only be accessed and enjoyed on-site in Kensington Gardens adjacent to the Serpentine Gallery (on the opposite side to the Serpentine Pavilion).

Credits

Launch: 7 September 2023 as part of Open House London Festival

APA style reference

Curgenven, R. (2023). London Open Form Pavilion of Air. walk · listen · create. https://walklistencreate.org/walkingpiece/london-open-form-pavilion-of-air/

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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