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SWS21 2021

Monuments

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Cutting Room Square, Ancoats, Manchester, UK
40 minutes
£0
Sound walk

Part of the Walk This Play® series by ThickSkin, commissioned by Step Up MCR. Featuring stories and voices from the communities of Ancoats, Clayton, Beswick & Openshaw.

Celebrating the monuments big and small, the people that built the buildings from the ground up and that keep the beating heart of the area alive.

I am cobbles. I am red brick and stone. I am cotton mills. I am the water racing through the canals, connecting Manchester to the rest of the world. I am communities that care. Looking for a connection.

Monuments guides you around the Ancoats cobbles, old and new, asking you not to overlook the buildings and the communities that make the area unique.

You will need to download the free Walk This Play® app to your device.

In the Walk This Play® app, search for Monuments by ThickSkin.

Make sure you ‘download’ the walk while still connected to wifi, before you set off.

Credits

Hosted by: Walk This Play®

APA style reference

ThickSkinTheatre, & Riordan, J. (2021). Monuments. walk · listen · create. https://walklistencreate.org/walkingpiece/monuments-by-thickskin/
ThickSkinTheatre

ThickSkinTheatre

(United Kingdom) 
Jonnie Riordan

Jonnie Riordan

(United Kingdom) 

2 thoughts on “Monuments

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hybrid flaneur/flaneuse

Hybrid flaneur/flaneuse has become a performative “orchestrator” of steps and technologies – of sensory and emotional encounters. It is this oscillation between the poetic, the socio-technological, the geographical and the emotional that shifts the meaning of flanerie and walking in the 21st century. Hybrid flaneur/flaneuse can be also described in line with the cultural and aesthetic trajectories of the 20th century ambulatory practices. Therefore, a hybrid flaneur/flaneuse could be a creative merging of the romanticised view of early flaneur, the radical tactics and political implications of psychogeography and the performative/site-oriented elements of Fluxus and Land Art – all considered through a wide range of embodied media, social and geographical sensitivities.

Added by Bill Psarras
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