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2022

Das Private ist poetisch

Das Private ist poetisch
Bildungsstätte Anne Frank, Hansaallee, Frankfurt am Main, Deutschland
45 minutes
Free
German

anne frank

Collection · 2 items
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climate change

Sub-collection · 39 items

Identity

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storytelling

Sub-collection · 47 items

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Sound walk
More than 250 young people between the ages of 11 and 29 submitted audio contributions for the storytelling competition "The Private is Poetic" of the Anne Frank Educational Centre in Frankfurt.

Young people tell what they stand up for politically. More than 250 young people between the ages of 11 and 29 submitted audio contributions for the storytelling competition “The Private is Poetic” of the Anne Frank Educational Centre in Frankfurt. They are about identity, self-determination, flight and arrival. About recognition, climate change and capitalism, fear of the future, co-creation and community.

In the audio walk, you can hear the contributions of the nine prize winners together with collages from other submissions.

Credits

idea: Astrid Kasperek
script: Sophie Burger
with competition entries by: Hannah Biedermann, Maja Royé, Canan Solmus, Casey Raabe, Hanna Veiler, Amina Rassul, Pia Sophie Möller, Jule Tschierschke, Anastasiia Mysik
narrator: Barbara Biel
script editing: Marie-Sophie Adeoso
postproduction: Fabian Eck
cover illustration: Marwa Yasin
commissioned by: Bildungsstätte Anne Frank
sponsor: Williem Blair International
Hosted by: Storydive

APA style reference

Storydive, & Burger, S. (2022). Das Private ist poetisch. walk · listen · create. https://walklistencreate.org/walkingpiece/das-private-ist-poetisch/
Storydive

Storydive

Audiowalk App (Germany) 
Sophie Burger

Sophie Burger

writer, producer, founder of the audio walk platform Storydive (Germany) 

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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