Radical Stroud is a community-led initiative based in Stroud, Gloucestershire, which serves as a hub for exploring and promoting radical political ideas, environmental activism, and social justice. The website documents a range of local and global issues, hostings talks, events, and workshops focused on themes such as anti-capitalism, climate change, decolonization, and alternative economic models. It also archives historical activism in the Stroud area, connecting past struggles with contemporary movements. The platform includes articles, event information, and resources that engage with grassroots organizing and participatory democracy. Radical Stroud emphasizes collective action and ecological sustainability within its efforts, fostering a space where activists, scholars, and community members can share knowledge and coordinate efforts. The content reflects an intersectional approach to social change, addressing interconnected issues in a regional context.

Kim V. Goldsmith is a multimedia artist, writer and creative producer who grew up on a farm on Wayilwan Country in central North-West NSW. She is now based on Wiradjuri Country, just outside Dubbo on the Western Plains of New South Wales. Her interdisciplinary creative practice has encompassed community engagement, sound, video, installation, story-gathering, writing and public programming that takes a creative, process-driven approach to the challenging environmental issues faced by rural, regional and remote communities. Kim’s work in this area continues to evolve as she explores layers of nuance and complexity within the territories in which she works, seeking the hidden elements that make them vibrate.

The webpage titled "Four33 Episode 4" from Arts Everywhere documents an interdisciplinary art project that explores the cultural and geographic landscapes of Kingston, Ontario, through a walking-based format. This episode specifically focuses on a collaborative exploration involving artists and participants who engage with the city’s unique urban environments, integrating site-specific sound art, visual media, and narrative elements. The project emphasizes the use of walking as both a method and medium for experiencing and interpreting place, highlighting how movement through varied spaces can reveal layered histories and contemporary social dimensions. The episode includes detailed reflections and documentation of the walk, combining audiovisual recordings and textual commentary to articulate the interplay between physical movement and sensory perception. It situates walking not merely as a mode of transit but as a critical tool for artistic inquiry and cultural engagement, aligning with practices in psychogeography and urban ethnography. The content reveals the nuanced ways walking art can foreground local narratives while challenging viewers and participants to reconsider their spatial relationships within the urban fabric.