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Heavy Time

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Walking, isolation and togetherness

Social isolation, already prevalent for many, has been exacerbated during the pandemic. Author Sonia Overall argues that walking alone can increase togetherness, regardless of absences and physical distance.

Sonia Overall Andrew Stuck
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Walking the Old Way between chalk and sea with Gail Simmons

Described as England’s Camino, the Old Way is a long-distance footpath that carves through one of the nation’s most iconic landscapes – one that links prehistoric earthworks, abandoned monasteries, Saxon churches, ruined castles and historic seaports. Over four seasons, travel writer Gail Simmons walks the Old Way to rediscover what a long journey on foot offers us today.

Gail Simmons Andrew Stuck
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Guidebook for an Armchair Pilgrimage

Pilgrimages—real and imagined—are always popular, sometimes compulsory. Bodh Gaya, Santiago, Mecca, Jerusalem, and Puri are a few of the sites that beckon. The pilgrimage to the authentic self takes a similar path in an interior landscape. In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for

Phil Smith
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Travel writing in a Precarious Century – a walk to Bardsey

Meet the authors who are writing about walking and the landscapes through which we walk, at walk · listen · create's Walking Writers Salons. We are delighted to have author El Rhodes join us in May, talking about "All Among the Saints" a story about a walk to Bardsey, one of a dozen new pieces in a new anthology of travel writing turning a Welsh gaze on the rest of the world.

El Rhodes Andrew Stuck
walkingevent

Walking, isolation and togetherness

Social isolation, already prevalent for many, has been exacerbated during the pandemic. Author Sonia Overall argues that walking alone can increase togetherness, regardless of absences and physical distance.

Sonia Overall Andrew Stuck

In Heavy Time psychogeographer Sonia Overall takes to the old pilgrim roads, navigating a route from Canterbury to Walsingham via London and her home town of Ely.

Vivid in her evocation of a landscape of ancient chapels, ruined farms and suburban follies, Overall’s secular pilgrimage elevates the ordinary, collecting roadside objects ― feathers, a bingo card, a worn penny ― as relics. Facing injury and interruption, she takes the path of the lone woman walker, seeking out ‘thin places’ where past and present collide, and where new ways of living might begin.


pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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