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SWS22

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When September rolls around, you can listen to stories, get closer to nature, travel to far away places, immerse yourself in different cultures, add your voice, record the ambience, learn how to make sound walks, and submit your own work, as well as participate in lively debates, and intimate café conversations. And, share your discoveries with experts from the world of sound walking.

Due to the pandemic, the 2020 and 2021 editions of Sound Walk September started off on shaky footings, but, with extra experience, a supportive Advisory Board, financial support from multiple partners, and contributions from all over the world, SWS20 and SWS21 were a resounding success. Now, it’s time for a new edition.

Support us

There’s a range of options available to you as to how you can work with us, including several options for sponsorship and financial support. Read up on how you can work with us.

And, if your heart is truly in the right place, consider becoming a supporting member.

Who is deciding on the shortlist?

The shortlist is decided on by the online jury, who score submissions against a set of weighted criteria. The highest scoring submissions make it to the shortlist.

Help was had

We were very happy to work with Goldsmiths University and Goodsted, through which we have participated in project placements for students. This year, we have the pleasure of working with Michael Woldemariam.

Submit your work
Marŝarto Awards About Grand Jury Judging criteria Marŝarto24 Marŝarto23
Sound Walk September Awards About Grand Jury Judging criteria SWS24 SWS23
Online Jury
Awards FAQ
Previously SWS22 SWS21 SWS20 SWS19

pedinamento

A highly influential ideologue of neorealism, scriptwriter and director Cesare Zavattini suggested “pedinare,” the Italian word for stalking or shadowing, as a technique for filmmaking. Pedinare in cinema entailed “tailing someone like a detective, not determining what the character does but seeking to find out what is about to ensue.” The etymology of the word in Italian suggests “legwork” as it is derived from the Italian word for foot, “piede.” It is possible to suggest that the proliferation of images of walking in Italian Neorealism is closely linked to the technique of pedinamento, not because all neorealist filmmakers were followers of Zavattini, but because going out onto the street to encounter the everyday life of post-war Italian cities and creating cinematic tools to articulate these encounters were major concerns for the filmmakers of that era.

Added by Asli Ozgen-Tuncer

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