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2018

Justice, Freedom, Peace, Memory

1572954550.Justice-Freedom-Peace-Memory
Multiple locations
15 minutes

ECHOES

Collection · 30 items

field recordings

Collection · 43 items
Sub-collection

immersive

Sub-collection · 67 items

Interactive

Collection · 39 items

Related

Sound walk

Taman Tugu: Interference/Resistance

“Taman Tugu: Interference/Resistance” is an immersive walking sound art experience set in the reclaimed Taman Tugu forest in central Kuala Lumpur, combining natural jungle sounds with electronic music derived from field recordings in the park. The piece explores the interaction between urban noise and natural soundscapes, highlighting the ecological significance of this green space amid the city.

Yonatan Collier
Walking piece

Blind walk/White walk

Blind Walk / White Walk is a bilingual (Greek/English) sound and live performance walk in Athens inspired by José Saramago's novel Blindness and the blind prophet Tiresias from Homer’s poetry. The route, between Theater Technis in Plaka and the Odeon of Herodes Atticus near the Acropolis, features immersive sound triggered via mobile devices alongside live actors, with contributions from Geert Vermeire, Stefaan van Biesen, and others.

Geert Vermeire
Sound walk

Stirchley Soundwalk

Sound artist Nikki Sheth has created a 60-minute soundwalk in Stirchley for the Ten Acres of Sound Festival, featuring field recordings of natural and man-made sounds at specific listening points mapped throughout the area. The walk, accessible via the free SOUNDwalker app, guides users with GPS-triggered audio that evolves from environmental sounds to abstract compositions, offering an immersive, site-specific listening experience.

Nikki Sheth
Sound walk

Treasure Hunt for the Imagination

This award-winning audio walk in Edinburgh’s Shore explores nine historical and personal secrets of Leith’s maritime area, spanning from the 1918 pandemic to the year 2120. The 1.5-mile route takes about an hour to complete and features immersive sound elements at designated stops.

Alexandra Bell

ECHOES

Collection · 30 items

field recordings

Collection · 43 items
Sub-collection

immersive

Sub-collection · 67 items

Interactive

Collection · 39 items

Related

Sound walk

Taman Tugu: Interference/Resistance

“Taman Tugu: Interference/Resistance” is an immersive walking sound art experience set in the reclaimed Taman Tugu forest in central Kuala Lumpur, combining natural jungle sounds with electronic music derived from field recordings in the park. The piece explores the interaction between urban noise and natural soundscapes, highlighting the ecological significance of this green space amid the city.

Yonatan Collier
Walking piece

Blind walk/White walk

Blind Walk / White Walk is a bilingual (Greek/English) sound and live performance walk in Athens inspired by José Saramago's novel Blindness and the blind prophet Tiresias from Homer’s poetry. The route, between Theater Technis in Plaka and the Odeon of Herodes Atticus near the Acropolis, features immersive sound triggered via mobile devices alongside live actors, with contributions from Geert Vermeire, Stefaan van Biesen, and others.

Geert Vermeire
Sound walk

Stirchley Soundwalk

Sound artist Nikki Sheth has created a 60-minute soundwalk in Stirchley for the Ten Acres of Sound Festival, featuring field recordings of natural and man-made sounds at specific listening points mapped throughout the area. The walk, accessible via the free SOUNDwalker app, guides users with GPS-triggered audio that evolves from environmental sounds to abstract compositions, offering an immersive, site-specific listening experience.

Nikki Sheth
Sound walk

Treasure Hunt for the Imagination

This award-winning audio walk in Edinburgh’s Shore explores nine historical and personal secrets of Leith’s maritime area, spanning from the 1918 pandemic to the year 2120. The 1.5-mile route takes about an hour to complete and features immersive sound elements at designated stops.

Alexandra Bell
Sound walk
‘Justice, Freedom, Peace, Memory’ is an interactive composition delivered via the Echoes app, using GPS to map music onto specific locations in Groningen’s city centre. The piece integrates field recordings from these sites, offering an immersive experience that connects listeners with the area’s history and contemporary soundscape through a guided walk.

‘Justice, Freedom, Peace, Memory’ is an immersive composition that is ‘performed’ through the Echoes app on GPS enabled Smartphones. GPS technology allows the mapping of a composition over a landscape, so that the music is experienced within the context of a very specific geography. The music that is composed for this project is created primarily from field recordings gathered at specific locations in the city centre of Groningen, The Netherlands.

The work is an immersive piece of interactive music that encourages the audience to develop a deeper engagement with both the history of this location and its modern day soundscape. Directions for the walk are provided in the Echoes app.

Justice, Freedom, Peace, Memory

CC-BY-NC: Yonatan Collier

APA style reference

Collier, Y. (2018). Justice, Freedom, Peace, Memory. walk · listen · create. https://walklistencreate.org/walkingpiece/justice-freedom-peace-memory/

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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