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SWS23 2023

Sehnsucht nach Sprechen und Freiheit

Sehnsucht nach Sprechen und Freiheit
Bildungsstätte Anne Frank, Hansaallee, Frankfurt am Main, Deutschland
60 minutes
Free
German

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Sound walk

What does freedom mean? What does freedom need? How does history relate to the present? And how can we commemorate Anne Frank and follow her example by sharing our perspective on the world, by raising our voices as young people and sharing our experiences and thoughts? These and other questions were addressed by 13 young people from the Anne Frank School in Frankfurt at the Anne Frank Educational Centre. We were out and about in Frankfurt’s Dornbusch neighborhood, conducted interviews with protesters in front of the Iranian embassy, with the managers of a shisha bar and with local residents, and left traces in the public space.

The result is “Longing for Speech and Freedom” – an audio walk / location-based podcast on the feminist revolution in Iran, the racist attack in Hanau, safe spaces, discrimination and empowerment and the topicality of Anne Frank’s diary.

Credits

idea: Astrid Kasperek
script: Sophie Burger
script editing: Marie-Sophie Adeoso
voices: Ahou Nikazar, Cara Gurr, Roxanne, Noel, Jeremy, Eric, Eren, Kavin, Leo, Safae, Aleksandra, Sonja, Leona, Elif
production: Storydive
music: Shervin Hajipour, Ben Salomo
pedagogical supervision: Marie Lara Möller, Awa Yavari
commissioned by: Bildungsstätte Anne Frank
sponsor: city of Frankfurt
Hosted by: Storydive

APA style reference

Storydive, & Burger, S. (2023). Sehnsucht nach Sprechen und Freiheit. walk · listen · create. https://walklistencreate.org/walkingpiece/sehnsucht-nach-sprechen-und-freiheit/
Storydive

Storydive

Audiowalk App (Germany) 
Sophie Burger

Sophie Burger

writer, producer, founder of the audio walk platform Storydive (Germany) 

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pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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