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SWS21 2021

Telegraph (Prespa)

Telegraph Prespa_IMAGE
Multiple locations

Walking as a Question

4 - 17 Jul, 2021 · 109 items

Exchange

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Greece

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Prespa

Collection · 14 items
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video art

Sub-collection · 30 items

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Prespa

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Sub-collection

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KlangLandStadt_2021 | Horizontal Gathering on Walking and Listening

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An audio piece recorded in Crete, Greece and in Quebec, Canada.

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WE WALK thematizes the artistic practice of walking in the public urban space of Zurich. Not only since the Corona pandemic have questions been raised about new urban spaces and a new understanding of the public sphere. The artists present in this exhibition have long been engaged in participatory knowledge transfer, cultural participation, negotiation and

lerjentours Simone Etter
walkingevent

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Coffre/philo /discussion, exchanges, around Hub Corsica actions / international conference and sharing idées around memory trails … Walk in Murato Supranu village, Chapel Saint Michel … etc. Installation and reinforcement of signages with the guides of the Nebbiu Mountain Office and its volunteers on the path that leads to the Paleo-Christian Chapel of San Frussulu.

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Telegraph (Prespa) is a video artwork created through a global participatory project during the International Walking Arts Encounters 2021, led by artists Christopher Kaczmarek and Deirdre Macleod. The project involved participants from Prespa, Greece, and worldwide exchanging walks and gestures via video and written prompts, resulting in a collective composition that connects local and remote spaces through shared walking experiences.

Telegraph (Prespa) is a video art work, result of the participatory artistic project with the same name, by the artists Christopher Kaczmarek and Deirdre Macleod and executed over the course of the International Walking Arts Encounters/Conference Prespa 2021.
Open for global participation, the project consisted of interrelated isolated segments of contribution and interaction between individuals in Prespa, Greece and locations around the world who come together to form an integrated whole. Particular to the work was the idea of creating an interconnected, shared space of walking that is global in scope, but tethered to specific individual geographic areas. Through this project, Prespa became a hub of connection forming remote intimacies between distant locales where experience of place was encountered through walking, and the transference of place through observation, exchange, and performance.
Through the use of walking as a structure to explore the specifics of place, this artistic project allows for the entwinement of local and global participation as the observations, transferences, and recreations occurred in the spaces that were occupied by the participants. Together they created new stories and formed points of local and remote intimacy and connection through exchange.
The enactment of the work requested participants to engage in an exchange of walks, while following the below prompts:
Part 1: Go for a short walk in your locale, at the farthest point of the walk, capture (through video) an observed gesture. Translate that gesture into a written prompt that can be recited within a single breath. Upload the video of the captured gesture, and your written prompt
Part 2: Receive written prompts describing a gesture to perform. Go for a short walk in your locale, at the farthest point of the walk, perform the received prompt and capture your performance (on video.) Upload the video of the performed gesture.
The third part was completed by the project artist/organizers who collected the uploaded videos and written prompts, and edited them in a sequence that reveals and connects the spaces through a collective composition. As the captured gestures are paired and connected with the performed gestures through the written prompts, the spaces become conflated through an association of activity and participation.
Telegraph (Prespa) participants:
Herman Bashironlerjentours, Agency for Walking CultureEllie BerryRebekah EdwardsFaye TzanetoulakouFay StevensPatricia MirandaLydia Matthews
With special thanks to the conference organizersGeert Vermeire and Yannis Ziogas

APA style reference

Kaczmarek, C., & Macleod, D. (2021). Telegraph (Prespa). walk · listen · create. https://walklistencreate.org/walkingpiece/telegraph-prespa/
Christopher Kaczmarek

Christopher Kaczmarek

(United States) 
Deirdre Macleod

Deirdre Macleod

 

pedestrian acts

By de Certeau: In “Walking in the City”, de Certeau conceives pedestrianism as a practice that is performed in the public space, whose architecture and behavioural habits substantially determine the way we walk. For de Certeau, the spatial order “organises an ensemble of possibilities (e.g. by a place in which one can move) and interdictions (e.g. by a wall that prevents one from going further)” and the walker “actualises some of these possibilities” by performing within its rules and limitations. “In that way,” says de Certeau, “he makes them exist as well as emerge.” Thus, pedestrians, as they walk conforming to the possibilities that are brought about by the spatial order of the city, constantly repeat and re-produce that spatial order, in a way ensuring its continuity. But, a pedestrian could also invent other possibilities. According to de Certeau, “the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.” Hence, the pedestrians could, to a certain extent, elude the discipline of the spatial order of the city. Instead of repeating and re-producing the possibilities that are allowed, they can deviate, digress, drift away, depart, contravene, disrupt, subvert, or resist them. These acts, as he calls them, are pedestrian acts.

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