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By addressing the propaganda of progress, consumption and self-referentiality, Slovenian dramaturge, publicist and producer Jasmina Založnik engages in a conversation about the performativity of walking in the context of art. More precisely, she is interested in a sound walk as a form that evades spectacularity of art products, the established difference and playing with the unpredictable and random, the slowing down of our daily rhythm, experientiality, embodiment, the relation between the external and internal and, finally, transposition from a monological to dialogical form as a possible platform of inclusivity and ethics.
